A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Determined to bring hope to their rural Pennsylvania community, a couple embark on an ambitious mission to establish a revolutionary therapy center for children with special needs.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.
This is essentially a highly condensed remake of the famous 1982 Isao Takahara release. It tells the story of Gauche, a struggling cellist in a provincial orchestra. He is visited by four talking animals - a cat, a cuckoo, a tanuki, and a field mouse - on successive nights They help him to improve his playing, just in time for orchestra’s concert performance of Beethoven’s Pastoral Symphony.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Ria is a third grade student and she got a writing assignment about her holiday. But, she writes about her story with her mom instead.
Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
Little Red Riding Hood: A classic story, but there's more to every tale than meets the eye. Before you judge a book by its cover, you've got to flip through the pages. In the re-telling of this classic fable, the story begins at the end of the tale and winds its way back. Chief Grizzly and Detective Bill Stork investigate a domestic disturbance at Granny's cottage, involving a karate-kicking Red Riding Hood, a sarcastic wolf and an oafish Woodsman.
When the sadness of her father's disappearance gets to Molly Hale, she unknowingly uses the Unown to create her own dream world along with Entei, who she believes to be her father. When Entei kidnaps Ash's mother, Ash — alongside Misty and Brock — invade the mansion looking for his mom and trying to stop the mysteries of Molly's Dream World and Entei!
Stuart, an adorable white mouse, still lives happily with his adoptive family, the Littles, on the east side of Manhattan's Central Park. More crazy mouse adventures are in store as Stuart, his human brother, George, and their mischievous cat, Snowbell, set out to rescue a friend.
Billionaire heir Richie Rich has it all, including Reggie Jackson as a batting coach and Claudia Schiffer as a personal trainer -- but no playmates. What's more, scoundrel Laurence Van Dough is scheming to take over the family empire. Uh-oh! Enter faithful butler Cadbury to save the day.
This documentary traces John Cena and The Rock's individual paths to success in WWE and take an in-depth look at the lives of these polarizing figures.
