A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
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Promotional short for the film "The Sandpiper".
The Cat in the Hat is all set for a lovely picnic, but the evil Grinch changes his plans by inventing a contraption that captures noise and makes it sound ferocious. The Cat has to save the world from the clutches of the Grinch and the only way to do it is to reach Grinch's soft spot.
Stanley Kubrick’s debut documentary, following Irish-American middleweight boxer Walter Cartier on April 17, 1950—the day of his bout with Bobby James. The film traces Cartier’s quiet morning rituals, training, and anxious hours before the match, culminating in his swift victory that night in Newark. Opening with a brief history of boxing, Kubrick’s tightly crafted short captures the discipline, isolation, and tension behind a fighter’s daily routine.
Stanley Kubrick’s short documentary about Father Fred Stadtmueller, a Catholic priest serving a vast 4,000-square-mile parish in rural New Mexico. To reach his scattered congregation, he pilots his own Piper Cub aircraft, the Spirit of St. Joseph. Over two days, Kubrick follows the “flying padre” as he conducts Mass, mediates between quarreling children, attends a funeral, and airlifts a sick child to medical care—capturing both the challenges and quiet heroism of his daily mission.
Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.
This is a reconstruction of the daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravager family grew into a feature-length picture on the border between a documentary and fiction. It was made as an improvisation without a previously approved screenplay in the course of only twenty days.
At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.
Scrat comes across a time machine and is transported to various times all in pursuit of his beloved acorn.
Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.
This is the story of one of the brave Torchlighters who lost his life that fateful day. Jim Elliot spent his youth preparing to share the Gospel with those who'd never heard it. But nothing could have prepared him for the dangers and challenges he would face in the jungles of Ecuador. The remote Auca tribe was suspicious and antagonistic toward even the friendliest gestures from outsiders.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
An elderly Catherine de Medici reflects back on how the prophecies of Nostradamus accurately predicted the fates of her husband, her three sons and herself.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
While on a publicity tour in Switzerland, Benji, Cindy Smith, and Patsy Garrett convince Kris Kringle that his place on Christmas Eve is delivering presents to all "his" families all over the world.
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
King, a trafficked lion cub, escapes from the airport and takes refuge with Inès and Alex, who then have the crazy idea of getting him back to Africa. Anything can happen when Max their kooky grandfather, decides to join the adventure.
The residents of Bucha, Ukraine, are rebuilding their city from the rubble after surviving the horrors of Russian occupation. A newly married couple, a schoolgirl, a city official, and an elderly housewife have all endured the painful experiences of war, yet they manage to hold onto hope and solidarity. But how do you rebuild in the wake of growing trauma, especially with war still raging in your country? As time hopes for a peaceful life fade, they must grapple with mounting tensions within their communities. Shot over a three-year period, the film is a follow-up to When Spring Came To Bucha, as five protagonists navigate the complex terrain of inner conflicts, trauma, and a longing for justice, posing questions about the future of a society at war.
A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.
Belfast-born actor Stephen Rea explores the impact of Brexit and the uncertainty of the future of the Irish border in a short film written by Clare Dwyer Hogg.
