As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.
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A short documentary concerning a group of friends who get together, eat shawarma and drink beer. They talk utter nonsense at times, yet they couldn't be happier.
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !
Expeditions in the Western Canadian Arctic
Film about the Ethiopian famine of I984/85 and the measures taken to combat it
Shows the measures taken to combat the drought which leads to famine
A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.
A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
the film „mandà in lunga“ follows a journey from Val Poschiavo, a valley in the Italian-speaking part of the Swiss canton of Grisons, up to the highest point of the Morteratsch Glacier, the largest glacier in the Bernina Range. Shot entirely on 16mm film and edited in-camera, the film captures the changing landscapes and atmospheric shifts along the way. The journey is musically accompanied by the organ drones and violin sounds of Laura and Luzius Schuler.
Somewhere between the mountains and valleys a small autumn flower bloomed.
As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.
The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.
A close look at flowers and pollinators on a sunny summer morning.
Clouds forming and moving through the summer sky.
In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.
Morning dew in summer fields and meadows.
Mountain wildflowers in a dense fog.
A short film featuring a coastal forest and the rocky coastline of downeast Maine.
A short film featuring a pebble beach and coastal salt marsh in Maine.
