Samirah, a grandmother who lived three parts of her life, starting with her daughter who married and then converted, the death of her husband and ending with loneliness.
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TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.
Five seniors, the eldest is 91 years old, train together in a gym in Rotterdam to keep fit. But the body falters and their environment is getting smaller and smaller. By doing sports, the seniors support each other: origin and social status disappear. The gym fraternizes and gives the elderly unprecedented pleasure. Despite the fanatical sports, the decline is unstoppable. This documentary also shows the seniors alone at home and the confrontational fight against the body that is becoming stiffer, with the realization that that battle is always lost in the long run.
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
An urgent, timely and compelling portrait of Hollywood icon Greta Garbo, whose fame, isolation and loneliness still captures us.
When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.
A multigenerational story celebrating director Sean Wang's two grandmothers, one on his father's side and the other on his mother's side.
Everyone in town knows Simón's story, because like a rumor or an urban legend, it has been spreading among its inhabitants, the few who believe him and those who question everything about his story... But Simón will clear up doubts, recounting what happened during those supernatural events...
Claes is a pensioner whose greatest wish is to finally make it to the nearby cinema. What if it rains? What if his sweater doesn’t match the shirt he is wearing? It's probably better to stay in the safety of his own home and switch on the television. In the total isolation of his solitary life, and out of an entirely unfounded fear of stepping outside his flat, Claes has turned his tidy home into a prison. This is a film that demonstrates what loneliness can do to a person.
In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.
In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.
Evi, Finland’s most experienced karaoke hostess, wants to hug her customers’ pain away. With thousands of bars and kilometres behind her, yet again she packs her equipment and travels through the northern landscapes of Finland. Toni, the shyest guy in the world, catches everyone’s eye on the stage. Kari is searching for love and sings in his empty karaoke car repair shop. Elina can hardly walk because of Parkinson’s, but punk songs make her dance. Laura sings because talking is too painful. Karaoke Paradise is a story of how the Finns have found a unique way out of loneliness.
Like ghosts, the temporarily shut down cruise ships lie in the port of Hamburg. A young man comes into town and is stranded on the riverbank, waiting for a message. He watches couples strolling along in the sunset and gets himself some sweets. In a moment of collective pause, ISLANDS IN THE CITY captures a fragile romance. There is a departure in the air, the destination of which no one seems to know.
A Texan begins a cross-country journey in hope of finding the empty loft she keeps seeing in visions.
A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.
