A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.
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Himself
Young Boy
Delivery Man
Woman
From Scotland to Ecuador, passing through Canada, Spain and Angola, 21 young Cubans who grew up in 9 countries outside the island tell their experiences of adaptation living between two cultures and the survival of the Cuban identity despite their stories of familial rupture and alienation.
Greek internal migrants in Athens, after the Greek Civil War colonize the tops of the Tourkovounia hills.
With simple ceremony on Parliament Hill, Ottawa, Newfoundlanders are welcomed as fellow-Canadians. Prime Minister St. Laurent starting off the carving of Newfoundland's coat of arms in the tenth and formerly blank shield over the entrance to the Parliament Buildings, writing in stone another chapter of Confederation. So begins this survey of Canada's tenth province, Newfoundland, its resources and how its people live. The film takes us to St. John's, Corner Brook, Bell Island, and includes a visit to Labrador where we see the giant airport at Gander.
The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.
This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.
The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.
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Natives of the New World is a short documentary film shot on cell phones by the Kino Mosaik collective, which was founded in Lesbos Island, Greece, in 2018. The migrants who were members of the collective tried to transform the period when they were stuck in Lesbos waiting for the decision on their asylum applications into a constitutive process. Kino Mosaik’s main goal was to oppose the passive, apolitical, and victimized migrant image created by mainstream media and many artistic representations.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The documentary film of the brief window of artistic freedom and democracy movement 1978 - 1982 following China's brutal cultural revolution.
Filmed inside Pharmacy No. 3 in Shanghai, Joris Ivens and Marceline Loridan-Ivens document the daily work of a state pharmacy that functions as both a dispensary and a neighborhood medical center. The film focuses on routine interactions between staff and patients, revealing an integrated model of urban healthcare in 1970s China.
Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
Standup comedian Fred Le hears the stories of a diverse range of young overseas-born Vietnamese who made their way back to the land that their parents left following the end of the Vietnam War. The Empathizer explores identity and the impact of trauma among Việt Kiều who grew up a generation removed from tragic events of the past.
This feature-length documentary paints a lively portrait of Father of Confederation and first premier of Newfoundland Joseph Roberts Smallwood, or "Joey," as he is known to most Canadians. Following one of Canada’s most colourful political figures during a two-and-a-half-month period that included a stormy Liberal leadership convention, the film reveals a man misunderstood even by his close associates.
Chinese teenagers from the wealthy elite, with big American dreams, settle into a boarding school in small-town Maine. As their fuzzy visions of the American dream slowly gain more clarity, their relationship to home takes on a poignant new aspect.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
Having grown up within the Cuban Revolution, in 1980, Juan Carlos Zaldívar was a 13-year-old "pioneer" jeering in the streets at the thousands of "Marielitos" leaving the island by boat for the United States. Within weeks, he was a Marielito himself, headed with the rest of his family for a new life in Miami. Now a U.S.-based filmmaker, Zaldívar recounts the strange twist of fate that took him across one of the world's most treacherous stretches of water in 90 Miles, a new documentary having its broadcast premiere on PBS's acclaimed P.O.V. series in the summer of 2003. As related by Zaldívar in the intensely personal and evocative 90 Miles, arrival in South Florida is only the beginning of the family's struggles to comprehend the full meaning of their passage into exile. What follows is an intimate and uneasy accounting of the historical forces that have split the Cuban national family in two, and which shape the passage of values from one generation to the next.
