Mulher
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Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.
A coroner reunites with a great love from the past, realizing that the memories are more vivid than ever.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
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Valentina seeks refuge from the incessant waves of her mind in the pages of her upcoming poetry book Lapislazuli, trying to keep her life from slipping away like sand through her fingers. With words from her poem Citrino, we journey through a range of emotionsand feel the ups and downs of her Borderline Personality Disorder.
Iara, a girl who is about to come of age, dreams of seeing the ocean, but lives in Rio Grande do Norte's countryside with her mother, a woman who's dreams were swallowed by the waves and who fears of losing her daughter.
“A Noiva Natal” is a photo film narrated by the city of Natal itself, the capital of Rio Grande do Norte, in the first person. The short film, divided into three parts alluding to mourning, records a vision of the capital after being neglected and forgotten by the Public Authorities and its inhabitants.
Between the depths of grief and the bliss of friendship, Gabriel teams up with his friends to create a film written by his late grandfather, who passed away during the COVID-19 pandemic.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
The stories told by those who live from the Rio Potengi reveal the rhythm of the tides, flowing through memories, silences, and the strength of a river that resists between the mangrove, time, and the city.
On social media, Marcos can be whatever he wants. This can get out of control, as dependence increases and interest in reality decreases. Direction Kell Allen Road map Barbaro Xavier Photography Luiz Magnos Production John Evangelista Editing and editing Franklin Mateus Direct Sound and editing João Victor Dantas Executive production Barbaro Xavier Cast Barbaro Xavier John Evangelista Kell Allen Suzana Nascimento
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
