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Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.
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Iara, a girl who is about to come of age, dreams of seeing the ocean, but lives in Rio Grande do Norte's countryside with her mother, a woman who's dreams were swallowed by the waves and who fears of losing her daughter.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
A coroner reunites with a great love from the past, realizing that the memories are more vivid than ever.
Between the depths of grief and the bliss of friendship, Gabriel teams up with his friends to create a film written by his late grandfather, who passed away during the COVID-19 pandemic.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
On social media, Marcos can be whatever he wants. This can get out of control, as dependence increases and interest in reality decreases. Direction Kell Allen Road map Barbaro Xavier Photography Luiz Magnos Production John Evangelista Editing and editing Franklin Mateus Direct Sound and editing João Victor Dantas Executive production Barbaro Xavier Cast Barbaro Xavier John Evangelista Kell Allen Suzana Nascimento
The son of a veteran named Agus was faced with the shadow of his father's absence, so he grew up to be an undisciplined child. Until the veteran died and made his son follow in his father's footsteps to enter the military world.
The plot of the film is based on the biographical facts of Duru Khurtsilava, a famous criminal of the 60s of the 20th century, with amazing physical strength.
Mulher
