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A father shoots his son dead because, lured by the offer of a watch, he revealed to the police where his father had hidden smugglers who had come to ask for his hospitality.
A young Corsican is obliged by a tradition of vendetta for his late father, to kill the uncle of a girl he loves, because that man was the murderer. His search for vengeance leads to being pursued by the police and a tragic fate.
They are 50 years old today. Over the last thirty years, they have fought against Paris and its various governments. Since their first student demonstrations demanding the creation of a university in Corsica in the 70s, they have constantly pushed back the frontiers of protest. They created the Front de Libération Nationale de la Corse (Corsican National Liberation Front), and carried out hundreds of bombings and commando operations to violently assert the existence of an identity claim. Many have chosen to hang up their rifles, while a few are still adept at the murky game of clandestinity, but for all of them the time has come for an explanation and an initial assessment. This film is their story.
In a dreamlike Corsican landscape, a woman follows a mysterious sheep bound to her by a red rope, leading her toward a haunting revelation.
Norm the Genie returns and tricks Cosmo and Wanda into disliking Timmy by replacing him with a selfish, unappreciative clone version. When Cosmo and Wanda quit, a singing contest is held in Fairy World to determine who gets to replace Timmy's godparents. And there is another big problem: Norm is a participant.
Howard Crandall Jr., who comes from a wealthy family, has suffered a disfiguring facial injury during World War I, and at war's end stays in Paris rather than return home to his family and sweetheart Muriel looking the way he does. While in Paris he forms a secret society of men who are in a similar position. When he finally does decide to return home, his family and Muriel are at first shocked by his appearance, but they recover and try to make him feel comfortable and accepted. However, it's not before Howard begins to feel their actions are motivated more by pity than love, and when Arthur Wells, who was once Muriel's suitor, shows up one day and is greeted warmly and intimately by Muriel, Howard starts to think that his suspicions are justified.
In the 1960s, a dreamy kid tells how he thinks he can change his alcoholic father's personality: with magic flowers. First film of a trilogy on father-son relationships.
A young man in his thirties goes to his father's house in the hope of telling him once and for all what he has always wanted to tell him. Then begins an endless nightmare.
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