No Trailers found.
No overview available.
Little Martin would like to run outside with other children, but he is afraid that they will make fun of him because of his visual impairment. So he spends most of his time alone at home with his magical character Francis, who helps him discover the world. One day, a ball falls over the fence of Martin's house. The boy is afraid to return it to the children on the street...
A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.
Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.
In a home for struggling girls, young Milo is transitioning gender with the support of care worker Nicki. One day, through the thin walls of the institution, Milo hears something they wish they hadn’t. They push the emergency button.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
An ordinary suburban couple, Larry and Lisa, invite another ordinary suburban couple, Rachel and Robby, over to their home to dine on chicken parm and to offer them an interesting proposition.
Folgorazioni begins that path of “manipulation” of materials (filmed and refilmed, altered, stripped of all that is appearance) that we also find in the latest Come cani, come angeli. Divided into eleven fragments of different lengths, the film starts from physical violence to arrive at the mystery of life and death, the enigma that accompanies Valdoca’s works.
In a rare instance of literary adaptation, Chytilová was inspired by Franz Kafka’s writings. Mr. K stashes stolen jewelry away at home and seldom allows his wife to wear it. A nosy neighbour, Mr. B, drops in. A cat observes it all.
goodnight and rest.
Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
