The story of the legendary Berlin club and its founder, a woman whose life is inextricably interwoven with the bright and dark sides of a hedonistic lifestyle.
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Self (Gründerin)
Self (Gründer)
Self (Raven Van Krueger)
Filmed in the city of Memphis, Tennessee, this documentary tells the stories of four twentysomethings who are living their lives under the scrutiny and judgment often faced by those who clash with mainstream gender norms. Lizzy G, Kyta, and Yella Man are lesbian studs, and Ashton is an out trans man. While Lizzy G struggles to overcome abuse from her past, Kyta wants to free herself from her Asian family's expectations about her future. Ashton is navigating the tribulations of transition. And Yella Man? She's just trying to have a good time.
The film follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.
Berlin is a metropolis, a big city with international flair and at the same time the habitat of countless raccoons, foxes, bats, squirrels, hedgehogs and beavers. There is at least one pair of birds for every human inhabitant of Berlin, and nowhere else are there so many sparrows and nightingales. Swarms of bees harvest honey from almost half a million city trees, a badger roams through a backyard, and praying mantises lurk for prey in railroad tracks.
Documentary about the current hustler scene in Berlin. Based on interviews with former and active prostitutes, the realities of male prostitutes in Berlin are treated. The film is objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.
In defiance of Russia’s anti-LGBTQ laws, a queer, 21-year-old artist risks her life performing in surreal costumes throughout Moscow. Jenna Marvin’s radical public performances blend artistry and activism in this SXSW documentary.
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
In 2019, Union Berlin was promoted to the Bundesliga. Four years later, the traditional East German club qualifies for the Champions League and achieves something that few would have thought possible. Despite all the euphoria over the triumph, the pressure to remain strong in sporting and economic terms also increased, as did the fear of falling into a conflict of identity between tradition and change. The fact that the soccer underdog from Köpenick still manages to retain its magic is primarily down to the people who work behind the scenes to keep things running smoothly and enthusiastically. Always at their side: a loyal fan base that is prepared to follow their club's path unconditionally. Hendel follows the team behind Union for almost two years, right up to their entry into the top flight, and takes a unique, particularly personal and authentic look behind the scenes of the club.
Commissioned by the Berliner Landesbildarchiv, this movie shows countless impressions of (West) Berlin everyday life, accentuated with self-ironic commentary.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
Two men undertake a thought-provoking journey to parenthood. Not by adoption or surrogacy, but by Frankie, a trans man, carrying their baby. Made with support from NZ on Air.
A knife in the pocket, adrenaline in the blood and only one dream in mind: to be a gangster - and the biggest one at that. Yehya was 15 years old and close to realizing his dream when he met the filmmaker Christian Stahl in the stairwell. Yehya wasn't just the nice boy from next door, he was also "the Boss of Sonnenallee" - one of the gangster runners of the Berlin borough of Neukölln. And gangster runners want to make it in the gangster world. In the eyes of the authorities, he is an "intensive offender"; in his own eyes, Yehya is "one of the top ten of Neukölln. I got my own prosecutor!"
Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.
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13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.
Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.
A short documentary that tells the story of queer artist Heather Spooner and the adult pen pal program she created during the pandemic, featuring the poignant and humorous stories of connection and humanity that came from it.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
