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Jacob
Ayman
Omar
Naim
Toni
Mario
Oussama
Hermana Jacob
Policía
Tyson
In southern Morocco in 1954, an old man and a young man cooperate to restore water to a wasteland.
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On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.
Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.
'One day, on the Moroccan shores, one hundred and fifty years ago, thousands of antelopes together threw themselves into the sea.' - Marguerite Duras
A determined young woman goes up against the Moroccan traditions where the only way for a girl is marriage and children.
‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.
When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
This video research is based on a trip to Morocco in July 2005, during which the director documented irregular migration transiting through Morocco, as well as their control. This geographical project focuses on the main migratory axes: Oujda, entry point for migrants in Morocco; Tangier, from where migrants can try to cross the strait or the fences of Ceuta; Rabat, organization space; and Laayoune, the closest point to the Canaries. The video questions the nature and meaning of these extraterritorial enclaves that structure the Moroccan territory.
Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.
A middle-aged tailor and his wife find their relationship challenged by the arrival of a handsome new apprentice.
In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community
Longtime friends, Mehdi and Hamid, work for a collection agency. They crisscross the villages of southern Morocco in their old car and share double rooms in shabby hotels. They are exactly the same size, and wear the same suits and ties, as well as the same shoes. Paid nearly nothing, they try to play hard to make good figures. One day, in a gas station planted in the middle of the desert, a motorcycle parks in front of them. A man is handcuffed to the luggage rack, threatening. It’s the Evader. Their meeting marks the beginning of an unforeseen and mystical journey.
At an idyllic writers retreat in Morocco, a newly single novelist finds an unexpected connection with a younger man who's reevaluating his life choices.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.
Martijn, an idealistic Dutch pianist, travels to Morocco to help start a food program for malnourished children. Within moments of his arrival, however, Martijn is abducted by a group of terrorists, injected with a debilitating drug, and imprisoned. Under threat of death, the young man engages in a mental chess match with Ahmat, trying to learn his captor's true objective and avoid a horrible fate
This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.
