A gruff man wanders an industrial landscape.
Trailer
Rho
In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
One morning in the early 90s, florist Ádina performs domestic tasks after apparent disagreements with her husband, Ivo.
In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.
After a night of heavy drinking a young man has a dream where an angel tells him the world will end if he doesn't make a sacrifice.
Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.
John the Baptist finds himself in a Holešovice silo, a wanderer roams across Prague´s brownfields and several women face their fathers.
Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.
Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
The enigmatic resurrection, rampage, and retribution of an undead monster in a remote wilderness unleashes an iconic new killer after a locket is removed from a collapsed fire tower that entombed its rotting corpse.
A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.
A day in the life of a waitress/webcam model as she serves customers, deals with the world around her, and remembers why she does all of it in the first place.
On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".
A woman returning home after having a sour day decides to sleep.
A monumental windstorm and an abused horse's refusal to work or eat signal the beginning of the end for a poor farmer and his daughter.
A quiet killer is looking for a room. The real state agent, shy and expressionless, guides him through Tokyo, towards the ruins the decadent economy has left behind, in hopes of finding The Room.
A woman slowly fades into darkness waiting to see her son one last time.
Jean Bonnard, clean-cut industrialist and the only son of a widow, goes to visit his mother in the small village where she lives. However, early in the morning the police arrive to arrest him, accusing the man of having murdered the old banker who'd made advances towards his girlfriend. Jean's mother is eager to aid her son, whom she believes is innocent. Said Epstein of his film: "I shot small landscapes in Livilliers which seemed to me-- in their reality, I mean-- very large".
Contemplative and almost without dialogues, the film shows the routine of inhabitants in a city: a young woman who lives alone; an eldery that lives in the street, next to the river; a police officer; customers in a bar; two students. Little by little, through flashbacks, the plot connects these characters.
A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.
