Amateur film of the passage to India - complete with guest appearance by Gandhi.
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With a forensic lens, Onyeka Igwe's A So-Called Archive interrogate the decomposing repositories of Empire. Blending footage shot over the past year in two separate colonial archive buildings - one in Lagos, Nigeria, and the other in Bristol, United Kingdom - this double portrait considers the 'sonic shadows' that colonial images continue to generate, despite the disintegration of the memory and their materials. It mixes the genres of the radio play, the corporate video tour and detective noir, with a haunting and critical approach to the horror of discovery.
In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.
Man-pulled rickshaw, which have served Kolkata for over eight decades face virtual extinction as a result of legislation introduced by the State Government in 1981. This would rob over 100,000 people of a living. The film analyzes the critical situation, and on the basis of concrete facts and figures, questions whether such a step would be fruitful at all. The image of a man pulling a man is a depressing and a negative one - but not more negative than that of the image of a man going without food.
Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.
Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
Lord Lytton takes up the post of Governor of Bengal.
Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.
If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.
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Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise any sexual acts between consenting adults of the same sex, stigmatising them as 'against the order of nature'. On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.
Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.
In Punjab’s Doaba region, a rooftop sculptor grapples with leaving home as his art and community reflect the hopes and sacrifices of migration.
An unprecedented UHD film on Karnataka's rich biodiversity narrated by David Attenborough. Portraying the state with highest number of tigers and elephants using the latest technology - a masterpiece showcasing the state, its flora, fauna.
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
Journey across India, a breath taking land shaped by a myriad of cultures, customs and traditions. Come face to face with the Bengal Tiger and explore the work of this majestic creature with stunning clarity. Soar over blue-hazed Himalayan peaks and sweep down towards the thundering Indian Ocean as we celebrate the power and beauty of India's greatest ambassador - the mighty Bengal Tiger.
Originally created as an installation for the third Shenzhen Independent Animation Biennale this film is a gripping diary and travelogue of a trip the filmmaker made through India. She tries to grasp India’s love and thoughts, the sentiments and everyday conditions and the experience of disease and death.
Return to al-Ma’in chronicles the multiyear collaboration between Forensic Architecture (FA) and Palestinian historian and Nakba survivor Salman Abu Sitta on the reconstruction of his birthplace, the lost village of Ma’in Abu Sitta (or al-Ma’in). Guided by the work and memories of Abu Sitta, FA-researchers reconstructed al-Ma’in’s occupation by Israeli forces on 14 May 1948, its subsequent demolition, and the settlements constructed on its ruins. The movie looks to the present moment and the connections between Israeli military’s conduct and appropriation of Palestinian land during and after 1948, and today in Gaza. The project looks back at the sophistication and sensitivity with which the Abu Sitta family cultivated their land, and the rich agricultural diversity that was lost when Israeli settlements were subsequently constructed over this landscape.
