An experimental film about narrations of two journal photos from Iran's revolution in 1979.
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Shot over five years. A unique document of the creative work of the most representative artist of her generation. She is a painter (she creates a 240 m mural in the film), and a photographer of icons, which reflect everything human that the spirit contains. Life and thought of an essential artist, creator over three decades of an internationally recognized work and deserving of the National Photography Award. “The Look of Ouka Lele” is the story of how the creativity of a genius develops, his passion and his struggle in thought, painting and photography. Art and existence, united by the effort, talent and beauty of a creator in eternal struggle.
During the COVID-19 pandemic, a trans body dreams of the birth of night.
Traces the life and mental illness of New York artist and photographer Ruth Litoff, and her sister's struggle to come to terms with her tragic suicide.
Iran, 2008. As President Mahmoud Ahmadinejad's motorcade creeps through the teeming streets of Qom Shrine, thousands of people jam hand-written letters into the hands of his handlers. Hearing their President deliver a speech is a thrill, but more promising to these men and women is the hope that their letters - expressing pleas for loans, medical attention, housing and jobs - will be answered. Since his 2005 election on a populist, "man of the people" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. As other letters are read, the worker says that "In Islam, charity is a necessity."
When the COVID-19 pandemic puts the world on lockdown, photographer Spencer Tunick reinvents his art to find a way to bring everyone together while staying apart.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
David Griecos documentary showcases the underappreciated photography of Domenico Notarangelo, and through it, tells the story of Matera, it's people and it's history.
Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.
In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.
In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.
In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
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Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
A photographer explores the seldom noticed architecture in his home town.
Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.
yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.
A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.
In 1960s France, a jazz musician becomes the subject of an impromptu documentary.
