A short making of feature about the 1966 John Frankenheimer movie Grande Prix
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A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
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Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Short about the daily life of the Apaches, including their ceremonies.
A behind-the-scenes documentary pieced together from over 100 hours of footage showing not just the preparation that went into Katy Perry's Super Bowl performance but the nerve it took to pull off such a massive, career-defining performance.
What does the looming A.I. revolution mean for us as individuals and as a society?
Ben Fogle spends a week living inside the Chernobyl Exclusion Zone, gaining privileged access to the doomed Control Room 4 where the disaster first began to unfold.
Documents the history and politics of a Portland institution: The city's strip clubs.
With unique access to Nasa, Brian Cox follows Perseverance rover’s search for life on Mars during a critical seven-day period as it undertakes an epic journey across the red planet.
A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse
Documentary about the efforts to reconstruct Sam Fuller's The Big Red One closer to the film Fuller had originally envisioned.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
Ron Padgett (1942- ) is a poet and editor whose artistic career took off during his teenaged years in Tulsa, Oklahoma. There, along with Joe Brainard and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Padgett and Brainard serendipitously moved together to New York City, where Padgett studied at Columbia University under the tutelage of Kenneth Koch and interacted with various Beat poets. He has taught poetry at various schools in the City, edited volumes such as the Full Court Press and Teachers & Writers Magazine and written volumes of poetry including 2013’s Collected Poems which won the Los Angeles Times Book Prize. He also wrote “memoirs” of both Brainard and fellow Tulsan Ted Berrigan.
Desperate to become as rich and successful as their idol, a trio of Michael Jackson impersonators hustle their way into Hollywood agencies, are accosted by paparazzi, and cross paths with Grammy-winning musicians as the American dream seems tantalisingly close. But as they perform for dollar bills and sleep in their car, the reality of the ruthless entertainment industry they dream about hits home.
Documentary about the making of ’Spring Break Zombie Massacre.’
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
Narrator (Voice)
Self
