Documentary directed by Klaus Antes
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A thorough look at the 90's Turkish rock scene, one legendary stage band and its two members: Kerim Capli and Yavuz Cetin... An inquiry of their existential battles with the society, the industry and their own minds.
Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.
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Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.
INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”
As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
Explores the Ottoman Empire killings of more than one million Armenians during World War I. The film describes not only what happened before, during and since World War I, but also takes a direct look at the genocide denial maintained by Turkey to the present day.
Docudrama examining the life of Mustafa Kemal Atatürk, who founded the Republic of Turkey from the ruins of the Ottoman Empire. Monuments to him can be found in every city; the anniversary of his death is commemorated every year; derogatory words about him are punishable by law. Rarely has a politician changed a society so radically in such a short time as Atatürk did Turkey.
Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.
Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.
Ecumenopolis: City Without Limits" tells the story of Istanbul and other Mega-Cities on a neo-liberal course to destruction. It follows the story of a migrant family from the demolition of their neighborhood to their on-going struggle for housing rights. The film takes a look at the city on a macro level and through the eyes of experts, going from the tops of mushrooming skyscrapers to the depths of the railway tunnel under the Bosphorous strait; from the historic neighborhoods in the south to the forests in the north; from isolated islands of poverty to the villas of the rich. It's an Istanbul going from 15 million to 30 million. It's an Istanbul going from 2 million cars to 8 million. It's the Istanbul of the future that will soon engulf the entire region. It's an Istanbul nobody has ever seen before.
The night of July 15, 2016 changed the history of Turkey. On that day there were coordinated attacks by parts of the Turkish army, among others in Istanbul. The aim of the military: a coup against the government. The decisive confrontation occurred on the Bosporus Bridge. While President Erdogan was still on vacation, live at TV he called on the people who were devoted to him to stand against the military. As an enemy for the masses, he presented his adversary Fethullah Gülen, whom he branded as the coup leader. He also urged the imams of the country's mosques to condition the population to resist. And so it happens that at night thousands of agitated people take to the streets to oppose the armed insurgents. The death toll was high. 352 people died across Turkey during the attempted coup. The consequences are even more serious: Erdogan used this gift, as he called it himself, to undermine democracy, to arrange mass arrests of dissidents and to transform Turkey into a dictatorship.
The multi-party democratic regime that we take for granted in Turkey today is actually the product of 23 years of struggle and search. From the establishment of the Republic until 1946, three attempts were made to transition from a single party to a multi-party. The first of these was in 1924. Progressive Republican Party came up against the Republican People's Party that ruled the country. However, this period, when a new republic was built in pain, did not allow an oppositional voice to survive. The Progressive Party was closed after six months. Some of the rulers were imprisoned. Some of them were sentenced on death rows in the case of the assassination of Atatürk.The second attempt was made six months later, in 1930, with the Free Party. But the Free Party survived only 97 days.Finally, after another 16 years, the Democrat Party came in 1946 and the one-party regime became history for Turkey, never to return.
Turkish democracy got over the 27th of May and the 12th of March and set off again, but the storm did not subside and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing would ever be the same again, nothing would be the same as before.
Societies, like people, have turning points in their histories. These milestones sometimes silently and spontaneously knock on the door, and sometimes they explode like a terrifying thunderclap. The year 1950 was such a turning point for Turkey. A simmering social reaction against 27 years of power erupted in the spring of 1950. Society has cracked its quarter-century shell. Not by shedding blood in the streets, but by voting at the ballot boxes. "Demirkırat" was reared by the general vote. That's why the 14 May 1950 elections were always called the "White Revolution"...
An indictment of the protagonists in the Cypriot civil war.
Dr. Mark Fairchild, world-renowned archaeologist, traces the hidden years of Saint Paul's life in the mountainous Turkish countryside of Rough Cilicia.
