Experimental meditation on land, consciousness, and artificial intelligence. Shot in the Okanagan and West Kootenays. Original music by Jack Brintnell.
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In November 1981, and with “Under Pressure” topping the charts in the UK, Queen performed a blistering set of hits – including "We Will Rock You" and "Bohemian Rhapsody" – in front of an 18,000-strong crowd at Montreal's Forum, in this stunning concert film.
A solo audiovisual performance. Eighth entry into deeply beguiling series of works responding to the Alps acted as the closing night event of Alchemy Film Festival. The images are studies of the Alps degraded and distorted live at the front of the auditorium; the picture pixelated, streams of colour engulfed the screen like a crashed desktop, and as hawks hovered over the mountains they left staggered trails of glitches across the screen like computerised vapour trails. The audio was also created live using short atonal precomposed tracks. The aim was to create a digital alchemy, an abstracted journey into the mountains, a wild wonder inside and out.
This 1971 color anti-drug use and abuse film was produced by Concept Films and directed by Brian Kellman for Encyclopedia Britannica. “Weed: The Story of Marijuana” combines time-lapse, montage, illustrations, animation (by Paul Fierlinger and emigre Pavel Vošický) and dramatized, documentary-style interviews to survey the evolving role of cannabis in U.S. society, with emphasis on the legal risks faced by young people. A unique score of experimental synthesizer music is provided by Tony Luisi on an EMS VCS 3 “Putney”
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
This remastered, rare, local production from the 80s is an unfiltered look into the mind and heart of the world-renowned folk artist Howard Finster. Walking and talking in his Paradise Garden, Finster gives insight into his visions, Faith, and artwork. He even sings and plays the banjo. Dr. George Pullen interviews Finster. And in this case, the word "interview" means that Dr. Pullen just lets Finster talk. And it's pure gold.
A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.
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A girl reads during a bus ride
Experimental documentary about what it means to be at peace.
Before the internet. Before social media. Before breaking news. The victims of Thalidomide had to rely on something even more extraordinary to fight their corner: Investigative journalism. This is the story of how Harold Evans fought and won the battle of his and many other lives.
A collection of memories from a tumultuous time at University.
Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
A basketball team born out of an egg, in a hockey-crazed city, playing in a baseball stadium, fights for survival and ultimately conquers a nation and the league. This documentary offers an in-depth look at how a fledgling franchise transformed into a cultural phenomenon, uniting communities and reshaping Canada's identity.
Documenting the shared trajectory between Canada’s rise as a global basketball powerhouse and the circumstances that helped shape the country’s multicultural identity.
‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.
The author Carl-Göran Ekerwald has written more than 50 books. At the age of 87, a new chapter in his life begins when he meets the journalist and author Sigrid Kahle. Ekerwald is a man of eductation and lust.
This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.
This instructional film shows the three parts of a lever and demonstrates how various levers help to move things more easily, or move them farther and faster.
Explore the secrets of the universe with Professor Brian Cox in this special event that combines ground-breaking science with the power of the Sydney Symphony Orchestra.
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