Two women and two men tell their stories of exile caused by being lesbian, transgender, bisexual and gay.
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Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.
Borowczyk’s portrait of the painter Bona Tibertelli de Pisis and her erotic fusions of men, women and molluscs.
Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.
From adoption and homelessness to navigating relationships and overcoming self-harm, the four transmen in MAN MADE all have something else in common: they are all bodybuilders. Through the lens of FTMFitCon, the world’s only FTM bodybuilding competition, we delve into the lives of Dominic, Rese, Mason, and Kennie as they define what it means to be a man while contextualizing that definition through the social, racial, and economic realities of their lives. For the men of MAN MADE, it’s not about winning—it’s about stepping on stage and being seen for everything they are.
Ewa Hołuszko is a remarkable figure. In the 1980s she bore the male name of Marek Hołuszko, an active Solidarity movement activist. After 1989 she could not fully enjoy the regained freedom as the place of communism was taken by another enemy, more difficult to defeat, intolerance and exclusion. Gender change made her realize how far away Polish society is from full freedom. Nevertheless, she still believes that it is possible to live in a different Poland, free from stigmatization, persecution and prejudice against others.
Who was Frantz Fanon, the author of Wretched of the Earth and Black Skin, White Masks, this Pan-African thinker and psychiatrist engaged in anti-colonialist struggles? Born in Martinique, Frantz Fanon was not yet 20 years old when he landed, weapons in hand, on the beaches of Provence in August 1944 with thousands of soldiers from "Free France", most of whom had come from Africa, to free the country from Nazi occupation. He became a psychiatrist and ten years later joined the Algerians in their fight for independence. Died at the age of 36, he left behind a major work on the relationships of domination between the colonized and the colonizers, on the roots of racism and the emergence of a thought of a Third World in search of freedom. 60 years after his death, the film follows in the footsteps of Frantz Fanon, alongside those who knew him, to rediscover this exceptional man.
Skin diving with Miss Rosewood. Take a plunge into the dark side of uber-sophisticated New York with performance artist, Jon Cory, performing as Miss Rosewood. She strips to full she-male nudity and shares her passion for her art and shows you just how far she's willing to go to blow your mind. Raw. Intense, and without filters, you'll explore her explicit universe from the safe distance of your plush theatre seat.
A small Algerian town, off the beaten track of the war that is tearing the country apart. At the heart of the crisis that is destroying it, two young men, without work, without leisure activities, without hope, without anything... The film follows them in their daily wanderings between endless boredom and the expectation of the improbable. And shows their humour, their friendship, their will to live regardless.
When Jennifer Laude, a Filipina trans woman, is brutally murdered by a U.S. Marine, three women intimately invested in the case--an activist attorney, a transgender journalist and Jennifer's mother)--galvanize a political uprising, pursuing justice and taking on hardened histories of US imperialism.
Mère-Bi is a 2008 documentary film about Annette Mbaye d'Erneville by her son, director Ousmane William Mbaye. The first Senegalese female journalist, she was deeply involved in the development of her country. Both an activist and a non-conformist, she fought for the emancipation of women from the beginning.
In the age of YouTube, exhibitionism and voyeurism echo and reach a climax. The boundaries between private and public life are blurring. The intimacy becomes a spectacle. Gabrielle Marion knows this better than anyone. As a famous Quebec Youtuber, she has been documenting her life and her sexual transition for eight years.
The Fence is a cry! In the aftermath of the civil war which bloodied Algeria, Tariq Teguia interviews the young people of Bab El Oued who express their anger. In the fixed shots in which they testify, Tariq Teguia alternates wanderings in a car which extend those of Ferrailles d’anticipations. And it is the violence of confinement that dominates, coupled with the desire for something impossible elsewhere.
At a time when transgender people are banned from serving in the U.S. military, four of the thousands of transgender troops risking discharge fight to attain the freedom they so fiercely protect.
This documentary is set in the New Marilyn night club in Tokyo, Japan - where the hosts are transgender men. They can only make their living as hosts in a nightclub with other wannabes like them. The young women who come there often have relationships with them but the underlying fear is whether such a relationship can withstand the pressures on a girl to get married and have children. All three boys deal with this in different ways. These three hosts, the Shinjuku Boys, take us into their lives.
A young transgender Christian man in rural North Carolina and his girlfriend face significant challenges.
An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.
From a young age, Natsuki knew she was a girl despite her sex assigned at birth. Against the backdrop of conservative Japanese society, this poignant docudrama tells her remarkable story of gender transition. Reflecting on her high school years, Natsuki interviews the supportive friends and family who supported her choices – and also confronts the people those who oppressed her freedom. Tracing Natsumi’s story to the present, this compelling portrait of gender identity in contemporary Japan offers insights of a layered experience in a complex society.
February 22, 2019 marks the start of a historic movement in Algeria, initially against the candidacy of President Bouteflika for a fifth term, then for the departure of all former dignitaries of the regime and the establishment of a Second Republic. Algerian-Canadian filmmaker Sara Nacer returns to Algeria to capture this “Hirak” (movement in Arabic) through her camera. Through her journey, she invites us to discover the young generation who are leading the "Smile Revolution" and building Algeria 2.0, with a strong political, cultural and social awareness.
Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.
"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.
