Two women and two men tell their stories of exile caused by being lesbian, transgender, bisexual and gay.
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More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Emperors of Nothing is an unprecedented immersion within Forest, a prison in Brussels notorious for its inhumane incarceration conditions, bearing witness to how the human spirit resists or submits to this harsh world. Deeply personal and candid moments shared with inmates and wardens alike, those who have forfeited or devoted their lives to prison, expose universal truths of what it means to be "behind bars".
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
This compelling and thought-provoking documentary provides riveting portraits of a diverse group of six men who once were women and chose to change their gender. The award-winning film is an unforgettable story of self-discovery and challenges all of us to re-examine the foundations of our ideas and feelings about gender, sexuality, and identity.
Caitlyn Jenner's unlikely path to Olympic glory was inspirational. But her more challenging road to embracing her true self proved even more meaningful.
This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.
Tailor is a transgender cartoonist that shares in his web page other trans people’s experiences and their challenges in society. Film about transgender, made by transgender crew.
Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.
Just an ordinary suburban family- except that Dad's transgender, Mom's queer, and there are five kids in this minivan. This is one family’s true story of identity, trust, and transformation. Too many transgender kids wonder: Will I be loved? Will I get to have a family? Will it all be ok? Here's the answer: a love story about family, finding your true self, and becoming who you really are.
An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.
I'm a Porn Star follows the lives of guys in the neighborhood who are likely a lot more famous than you - at least on the Internet. There are an estimated 370 million pornographic websites on-line. Porn is now a thirteen BILLION dollar business. So who's doing all this moonlighting? Turns out -- probably some people you know.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...
“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.
Filmed on location, Flandrien tells the story of the Flanders region of Belgium. Rich in history, full of flavor and adventure, Flanders abounds with captivating visuals. Cycling is central to the lifestyle and culture of the area. From the onset, the question arises: What is a Flandrien? The journey strips away the layers to discover and understanding where, why, and within whom the Flandrien spirit lives. Along the way, the treasures, triumphs, and tragedies of Flanders are revealed. Flandrien shares insights from some of the cycling greats of Belgium and around the world who devoted their lives to a sport so ingrained in the culture it is inextricable.
Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.
Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
This short documentary presents the process surrounding Khate Lessard's sex reassignment surgery.
Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.
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