Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.
The magic of the dances of Mexico. A tour of Sinaloa, Michoacán, Zacatecas, Nayarit and Veracruz in one place.
No overview available.
For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
Exploring the obsessive, compulsive, and competitive side of the dance world, Seize deconstructs the festive, enchanting, and imperfect image of Quebec folklore. It is through the synchronicity of movement, concomitant rhythms, the appropriation of space, and tangible coincidences that the jiggers convey their passionate obsession with this art.
In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.
In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.
A trip through the diversity of black and native Peruvian music. Character-driven film, one where the characters are integral to the nation itself. This movie delves into music and musicians, yet it's not strictly a musical; rather, it's a tapestry of seemingly disparate personal narratives woven together in a country also striving to define itself and sketch its identity
A roaming hillbilly, on a quest to defy the Devil, encounters several supernatural characters and does battle with his silver-stringed guitar.
Lovely overview of traditional Slovak Christmas.
"21 Days" illustrates a love triangle starring Bete, her boyfriend, Jonas and Agatha, a childhood friend of Jonas. Told from three different points of view, the narrative was inspired by the songs "cardigan", "august" and "betty", from the album "folklore" by singer Taylor Swift.
The film presents a parade of customs, music, songs and dances of the Slovak people in four seasons, based on a theatre play by I. Teren and K.L. Zachar from the first years after the liberation.
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