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Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.
No one could spin a yarn to make a sale like Ray Lum. Twenty years after their initial meeting, Bill Ferris returned home to Mississippi in the early ‘70s with a camera. The result reveals a look back at the colorful rhythms of Ray’s life—at home, at the auction, joking with strangers outside country stores— and provides a glimpse at Southern manhood, friendship and loss. Now nearly Ray’s age when they first filmed, Ferris has become a Grammy Award winning documentarian and renowned folklorist. Using never before seen 16mm footage and new animations, OKAY, MR. RAY is a short documentary film about how even the tallest tales help us keep the memory alive of the ones we love.
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
In Jerez de la Frontera, Spain, tradition, memory and folklore, walk the streets on the shoulders of a people who proudly displays a legacy rooted in their culture for centuries.
The award-winning show is re-imagined as a live concert event, featuring an all-star cast of recording artists, set during the last week of Jesus' life as he deals with betrayal, love and jealousy, and told from the perspective of Judas.
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
The magic of the dances of Mexico. A tour of Sinaloa, Michoacán, Zacatecas, Nayarit and Veracruz in one place.
A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.
Stephen Fry embarks on a journey to discover the stories behind some of the world's most fantastic beasts that have inspired myths and legends in history, story-telling and film.
Exploring the obsessive, compulsive, and competitive side of the dance world, Seize deconstructs the festive, enchanting, and imperfect image of Quebec folklore. It is through the synchronicity of movement, concomitant rhythms, the appropriation of space, and tangible coincidences that the jiggers convey their passionate obsession with this art.
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