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This show allows us to rediscover Maurice Béjart's career and greatest creations. Recorded at the Palais des Sports on May 31st and June 1st 2005.
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After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.
Nosferatu arrives in a town escaping from Van Helsing. He brings not only his curse, but ghosts from his past. In this escape, he dives into a macabre dance searching for an actress and faces the horror of eternity and the pain of an endless existence.
Dayse, a Brazilian playwright known as Cyclone, wants to study in Paris. Having a career in theater is unthinkable for a woman in São Paulo in 1918. But her director doesn’t want her to go, as he would lose his mistress and ghostwriter. When she becomes pregnant by him, her dream starts to fade. An artist’s struggle for self-determination in a patriarchal society, based on the true story of Daisy Pontes and modernist Oswald de Andrade.
Shot between Milan and Viareggio, in the places tied to Giorgio Gaber’s life, the undisputed protagonist of one of the most precious chapters in Italian entertainment, spanning from light music to teatro canzone. An intimate and exclusive journey.
A documentary comedy that reveals, with humor and great honesty, the unexpected journey of La Patogallina: putting together its first Shakespeare-inspired TV series, while everything seemed chaotic. Amidst parades, bruised egos, broken romances, and endless rehearsals, this documentary shows how a group of artists decided to laugh at the end of the world and turn it into an unforgettable show.
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.
Walzer is an excerpt taken from a work by the same name. Pina Bausch premiered it in the summer of 1982 at the Carré Theatre in Amsterdam and filmed it in the autumn of the same year in the theatre of Wuppertal. When in 1986 the German radio station Norddeutscher Rundfunk in Hamburg asked for a recording, Pina Bausch selected and edited the material into the film Walzer.
