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Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.
A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
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"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.
Poetry, interviews and conversations between plants, still trying to find out what is love.
"To Hunger, From Thirst" is a visual poem that about the capacity of art to save and the positive impacts other artists can have, inspiring an artist to keep going even through the tough times of dealing with depression and anorexia, and how thanks to art, they're still here today. "To Hunger, From Thirst" has received awards for Best Editing at the ThawOut Film Fest in 2019 and an award for 2nd place in the 2020 Ketchikan Film Festival. Dedicated to Florence + the Machine and their song "Hunger." "To Hunger, From Thirst" is included in the poetry collection "Negative Fifty" by Sam Thompson.
While working with wet plate collodion Ruhter came up with an idea to show the world the beauty of these objects in a size that was deemed impossible. This led him and the Silver & Light Team to a forgotten town on the edge of the Salton Sea called Bombay Beach, located in California’s Imperial Valley. The idea was to create a camera out of an abandoned house. The structure would serve as the framework for the camera. Instead of focusing on the decay from the outside, this house camera allowed a view from the inside into someone’s dream. Once the giant lens was placed on the front of the house, images of Ted, a 100 year old resident who recently found himself homeless, were projected in, breathing new life into this abandoned structure and once again making it a home. During this brief moment in time when Ted’s photograph was captured, he was present in both places. In reality, he was homeless in the outside world.
Occasionally, "your own" life is only based on the lifes of the rest. The human being, cutted off from the cultural and social, finds things in common with the other of the antipodes. An essay of the common and the different. The protagonist writes a letter and digress and imagine, with what isn't theirs. Taking it, transforming it and turning into another part of their body.
Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.
A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.
This is not a poem about love
A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.
A university professor on the verge of divorce and a new life is confronted with encounters that make him doubt his desires — and reality.
Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.
A reflection on loss and nature’s quiet observance in a small nook of the Ozarks.
