Die Fledermaus

Jan 1, 1986

2h 36m

★ 7.3

Overview

Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.

Genres

Comedy

Music

Production Companies

Deutsche Grammophon

Unitel

Die Fledermaus Trailers

No Trailers found.

Cast

Gabriel von Eisenstein

Eberhard Wächter

Rosalinde

Pamela Coburn

Adele

Janet Perry

Frank

Benno Kusche

Prinz Orlovsky

Brigitte Fassbaender

Alfred

Josef Hopferwieser

Dr. Falke

Wolfgang Brendel

Dr. Blind

Ferry Gruber

Frosch

Franz Muxeneder

Ivan

Ivan Unger

Ida

Irene Steinbeisser

Self - Conductor

Carlos Kleiber

In ancient Babylon, SEMIRAMIDE (Anderson) encourages her lover Assur (Ramey) to murder her husband, King Ninus. Her son, Ninius, disappears, believed dead, and Semiramide rules in her own right. 15 years later, as the opera opens, she is about to announce the name of her successor. Idreno (Olsen) and Assur are the leading candidates for the throne and the hand of Princess Azema (Shin), but Semiramide has taken a fancy to young Arsace (Horne), her victorious military leader who has been summoned back to Babylon. Only the high priest Oroe (Cheek) knows that Arsace is actually Ninius, spirited away to safety after the coup. As the queen announces Arsace as her successor, the ghost of her husband appears from his tomb, demanding that Arsace punish the late king’s murderers... Filmed at New York's Metropolitan Opera, John Copley's production of Rossini's last, longest and most elaborate dramatic opera brings together what many consider the definitive contemporary cast.

4.6

Dr. Jekyll and Ms. Hyde

Aug 25, 1995

A scientist creating perfumes inherits his great grandfather Dr. Jekyll's formula and decides to use modern technology to improve it. He ends up as an ambitious, ruthless woman. She tries to prevent returning into the spineless man.

6.3

The Magic Flute

Sep 7, 2006

During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.

0.0

Gipsy

Nov 17, 2009

No overview available.

6.5

Fast Work

Jun 28, 1930

Charley Chase is obsessed with a woman, however his attempt to meet her father is complicated by an asylum escapee.

4.4

God Died in Vain

Jun 30, 1969

A trademark comedy by well known Yugoslav writer Radivoje 'Lola' Djukic. Nenad and Predrag are twin brothers. Nenad is the poor carpenter who works in the factory with deep financial problems, and he is one of the union leaders. On the other hand, his twin brother Predrag is the successful executive of a large socialist company, and he enjoys all the benefits of his position. As Predrag's company refuses to give a loan to Nenad's factory, Nenad decides to kidnap his twin brother with his union mates and to take his place in order to get the credit. But in the process, their plan has been unexpectedly changed.

3.3

Rossini: La Cenerentola

May 9, 2009

"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.

8.0

La pietra del paragone

Oct 2, 2007

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

6.2

Jolly Fellows

Dec 9, 1934

Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin (Utyosov) is mistaken for an international concert star. He falls in love with Anyuta (Orlova) and plays the "star" for her. In a cascade of comic musical numbers he becomes the leader of a Jazz-Band and gives a hilarious show at the Odessa Music Hall. Now he is destined to perform at the Bolshoi Theatre in Moscow.

8.0

The Metropolitan Opera: Il Trovatore

Apr 30, 2011

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

5.7

Who Is Cletis Tout?

Sep 12, 2001

With a hitman’s gun aimed at him, Finch tells the story of how he broke out of jail, fell in love, and took the identity of a man wanted by the Mafia.

6.8

6ixtynin9

Oct 20, 1999

A woman, fired from a financial corporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However, the people that left it there soon want it back.

No Image Available

0.0

Zuzana Vojířová

Jan 1, 1983

Miller’s daughter Zuzanka Vojířová, betrothed to Ondřej Zachar, hesitates before marriage when Lord Peter Vok of Rožmberk invites her to his castle. There she bears his son Petříček, but his wife hides the child. After Vok’s death in battle, Zuzanka is expelled and lives as a beggar, reunited with her son and former fiancé, finding solace in the continuation of the Rožmberk lineage.

8.0

The Metropolitan Opera: Grounded

Oct 19, 2024

Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare.

6.9

The Emperor and the Golem

Jan 4, 1952

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

0.0

Gurrelieder

Oct 22, 2009

Performance of Schoenberg's Gurrelieder by SBR, conducted by Mariss Jansons

0.0

Dialogues des Carmelites

Jan 2, 2004

Based on a true story, the "Dialogues des Carmelites" sets the life of the Carmelites nuns at the dawn of the French Revolution. “Robert Carsen's production is effective in its simplicity, allowing the drama to speak for itself. Dagmar Schellenberger compellingly conveys Blanche's journey from distress to acceptance… Anja Silja's portrayal of the old Prioress is outstanding, with its disturbing transformation from serene wisdom to terrified, blasphemous, near-madness as death approaches. ...Riccardo Muti and the La Scala orchestra in magnificent form, captured in magnificent sound. Ultimately, it is the final scene, with its multiple executions, that makes or breaks a production of Dialogues. Carsen's allegorical solution is both elegant and deeply moving.” BBC Music Magazine, September 2007

5.5

The Climax

Oct 20, 1944

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.