Performance of Schoenberg's Gurrelieder by SBR, conducted by Mariss Jansons
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Tove
Waldemar
Jester
Wood dove
Peasant
Conductor
Orchestra
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
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A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Watch as Metallica builds the album "Hardwired... to Self-Destruct" from the ground up in this 'making of' video.
The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles
A short opera about the assassination of poet and dramatist Federico García Lorca at the hands of Nationalist forces at the beginning of the Spanish Civil War.
Grammy-winning rock group Evanescence performs live at the Zenith in Paris, France on May 25, 2004. The set list includes: "Haunted," "Going Under," "Taking Over Me," "Everybody's Fool," "Thoughtless," "My Last Breath," "Farther Away," "Breathe No More," "My Immortal," "Bring Me to Life," "Tourniquet," "Imaginary," and "Whisper."
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
Finally released from prison, Elwood Blues is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops.
The most popular Czech comic opera, with a libretto by Karel Sabina, marking the 200th anniversary of the birth of Bedřich Smetana, in the current production of the National Theater in Prague. For more than 150 years, The Bartered Bride has dominated Czech opera. No one else, not even Smetana himself, has managed to surpass its popularity, which over the years has become part of our national DNA, so to speak. At the time of its creation in the 1860s, however, The Bartered Bride was actually quite a bold experiment – Bedřich Smetana and librettist Karel Sabina masterfully mocked all those who imagined "national opera" as an idyllic picture of the Czech countryside, where national virtues reign supreme.
Four female cons who have formed a band in prison get a chance to play at a police ball outside the walls. They take the chance to escape. Being on the run from the law they even make it to sell their music and become famous outlaws.
Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)
A musical drama based on Giuseppe Verdi's opera Rigoletto.
Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.
Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.
Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.
After noted violinist Arthur Williams suffers a hand injury which ends his playing career, his hopes are transferred to his son, who prefers swing music to classical.
