Dinosaurs Vs. Apes: DINOSAUR MOVIES and HOLLYWOOD GOES APE! have been hailed as the definitive documentaries on the prehistoric and anthropoid creatures that have appeared on the silver screen. Filled with rare movie clips, behind-the-scenes footage and interviews.
More than just a baseball movie, Academy Award®-nominated "Field of Dreams" is an enduring story of family, resilience and hope. This documentary looks at how the film was made and explores the themes that continue to resonate with audiences 32 years later. Features interviews with actors Timothy Busfield, Frank Whaley, and Dwier Brown, producer Larry Gordon, and FOX Sports' lead MLB play-by-play announcer Joe Buck.
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
A documentary about the making of Derailed (2005).
In 1936, the sound film had already been around for a decade. Nevertheless, Charlie Chaplin (1889-1977) made another silent film, "Modern Times", which only used sound effects as a dramaturgical device. Speaking is reserved for the apparatus alone. The film became a monument in the history of cinema for this very reason.
The Characters of Star Wars is a Video Documentary included in the 2004 DVD release of the Star Wars Original Trilogy. It explained the Mythos of many of the "Star Wars" Characters.
The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major filmmakers: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.
Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".
Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.
Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.
Documentary about the life and work of Ray Harryhausen.
After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
On the 35th anniversary of the release of the landmark film "The Godfather," (March 15, 1972) we look back at the time and place of the film's conception and shooting.
On the occasion of the release of the blockbuster "Asterix & Obelix: The Middle Kingdom", unpublished images of the preparation of the film and the manufacturing secrets, as well as the crazy story of Asterix and Obelix since its origins.
An interview with director Paul Annett, focusing on his cult film The Beast Must Die.
This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.
Witness the never-before-seen footage and true story behind the John Wick phenomenon – from independent film to billion-dollar franchise.
In 1933, Merian C. Cooper and Ernest B. Schoedsack, two audacious and visionary directors, dared to create a motion picture that eclipsed everything seen until then: when King Kong was released, it was celebrated as an artistic and technical revolution and became the first myth created by the young cinematic art.
Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.
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