Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
For more than a half-century, Sesame Street has addressed and explained diversity, equity, and inclusion around the globe by using the universal tools of music, empathy and celebrity. Sesame Street: 50 Years of Sunny Days reflects upon the efforts that have earned the show respect and qualification around the globe. The special also chronicles the creation and introduction of a Black family of Sesame Street Muppets, Wes and Elijah Walker, a father-and-son duo who are at the heart of Sesame Workshop’s new racial justice initiative Coming Together.
A 90s educational video detailing how to protect kids from strangers that are up to no good.
Take a stroll down Sesame Street and witness the birth of the most influential children's show in television history. From the iconic furry characters to the classic songs you know by heart, learn how a gang of visionary creators changed the world.
A documentary about Spitting Image (1984) and the impact it had, including clips of the most memorable moments and contributions from many of the cast, crew and some of celebrities portrayed on the show.
The epic life of a world-class artist, jammed into six minutes.
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
A documentary about an old animation technique and the film studio that tries to carry on the legacy. The worlds oldest animation studio still making film with stop motion technique is Nukufilm located in Tallinn, Estland. Here we can follow the work in the studio which was founded in the Soviet era and has survived heavy censorship and global competition.
The Art of Self-Harm is an uncompromising and unflinching look at the art collective known as "White Gardenia". A group of artists who explore their cathartic expressions through acts of blood drinking, self-mutilation, and other forms of paraphilia. This documentary takes an in-depth look at this groups body of work, as well as conducts detailed interviews with group members to understand the inspirations and motivations behind the art that is "White Gardenia".
Jim Henson and Rowlf the Dog explain the art and history of puppetry, and let the viewer in on some of the secrets in performing his own act, the Muppets.
Four puppets that can't leave their house because of quarantine, decide to make a short film, but they have no idea what to make it about.
One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.
A couple of artists travels through the Mexico desert to present their puppet show.
John Baldessari is one of the pioneers of conceptual art, which revolutionized contemporary art in the 1960s, and is still a profound influence on young artists today. The film shows John Baldessari in all aspects of his work: as an artist in his studio, with the technicians he collaborates with, as a teacher interacting with his students, as a passionate observer of the contemporary scene and visiting the Biennale in Venice as well as the Basel Art Fair. This film provides us with insights into the work of a radically modern-thinking artist and sharpens our perception of the often inaccessible world of contemporary art.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?
When temporary solutions become the status quo, who gets left behind? A Stop Gap Measure follows disability activist Luke Anderson in his fight for accessibility to be a right, not a privilege.
Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.
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