Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.
The virtually untold story of the supersize steamship’s construction: how 15,000 men toiled day and night in life-threatening conditions to create a state-of-the-art floating city.
A group of children are encouraged to play in a park by two men. Some play a skipping game. One of the other children refuses and eventually runs away. Another child is fascinated by the camera and stares at it throughout, even when encouraged by one of the men to play. IN the background, traffic passes and pedestrians stroll past behind a railing on an upper level. The children wear sunhats, indicating the weather is very sunny.
A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.
Aboard a specially decorated motorhome made by Lulu, they will travel the roads of France for the first time, following "an itinerary as twisted as Lucie's spine" (sic). From the French Riviera to Mont-Saint-Michel, via the Arcachon basin, Hauts-de-France and Lot, before reaching the Champs-Elysées for a finish as prestigious as the Tour de France. On the agenda: a reunion with a fourth-grade class, funny gypsies, a haunted castle, oysters and white wine with the most famous oyster farmer, but also a few activities strongly discouraged for people with muscular dystrophy... and above all, big-hearted French people, as funny as they are generous, who offer us the best of their country through their hospitality.
A voyage to the center of the thought of Michel Foucault (1926-1984), a tireless explorer of the margins, a brilliant and atypical thinker, through excerpts from his books and lectures, and the use of images that resonate with them.
Charlie, Wendy and Holly are joined by Regis, Jocelyne and Armelle investigate the naturist opportunities on Corsica. They visit the lovely seaside resorts of Bagheera and Villata with their splendid beaches and numerous facilities, before heading to the mountainous resort of U Furu where waterfalls and sparkling pools provide enchanting delight.
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Artfully erotic nudity with plush, glamorous décor and sensual, atmospheric lighting: The Crazy Horse, in the French capital’s well-heeled eighth district, has been delighting audiences for 70 years with its special brand of classy Parisian cabaret.
The "unsinkable" Titanic was a dream come true: four city blocks long and a passenger list worth 250 million dollars. But on her maiden voyage in April 1912, that dream became a nightmare when the giant ship struck an iceberg and sunk in the cold North Atlantic. More than 1,500 lives were lost in one of the greatest disasters of the 20th century. Now, using newsreels, stills, diaries, and exclusive interviews with survivors, Titanic: The Complete Story recounts the sensational history of the premier liner. In Part I: Death of a Dream, the largest ship ever built is christened in Ireland before a cheering crowd of 100,000. Witness the disaster this trek becomes as numerous iceberg warnings go unheeded and the ship sinks in the icy North Atlantic. In Part II: The Legend Lives On, over-packed lifeboats edge away from the crippled liner as a futile SOS signals flare into the night--leaving 1,500 passengers to a watery grave.
Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.
Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain. The long and hard battle to bring down communist dictatorship has begun.
La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.
Pierre Carles questions the privatization of the leading French televisions channel : is it not scandalous that the TFI-Bouygues concession has been automatically renewed since 1987 ? Taking up the anti-television fight he initiated with "Pas vu Pas pris", his first film, he confronts the people responsible for the news who have always avoided tackling this taboo subject. But the investigation does not go as planned : the old dinosaurs and young guardians now how to handle this media critic. To find his "fighting spirit" again, Carles calls to arms his friends and changes methods : Henceforth, no more concessions !
Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.
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