The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
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A son brings his girlfriend to meet his father for the first time, but a cordial afternoon soon takes a violent turn when intentions on both sides are revealed.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Against all the odds, a thirteen year old boy in Malawi invents an unconventional way to save his family and village from famine.
Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.
Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.
In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.
Vega hits something on the road, but there is nothing on the pavement. Looking for help, she meets Elvira, who tells her that she may have run over a disoriented animal due to the solar eclipse that will take place in the next few hours. The strength and magnetism of the phenomenon and the environment will lead Vega into a journey she could never have imagined.
A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
Jhalana’s refuge, India's urban leopard habitat, is controlled by the strong and experienced Bahadur. But his dominance is being challenged – by his son, Rana! Once a quiet youngster, Rana has grown into an ambitious young male. But in the animal kingdom, power is not inherited – it is fought for with strength and persistence. Rana is not content with just securing his place; he wants more. To fulfill his ambitions, he forms a bond with one of his father's females, and what begins as a simple interaction soon turns into a powerful partnership. The aging Bahadur has held his territory for six years and will not tolerate his son's claim. Rana faces a decision: retreat or fight. But Rana follows his instincts.
Through examining Fini Straubinger, an old woman who has been deaf and blind since her teens, and her work on behalf of other deaf-blind people, this film shows how the deaf-blind struggle to understand and accept a world from which they are almost wholly isolated.
Culloden, Scottish Highlands, April 16th, 1746. It was one of the most mishandled and brutal battles ever fought in Great Britain. Its aftermath was tragic. The men responsible for such a disaster must be exposed. The men, women and children who suffered because of it must be remembered.
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A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.
2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett
The Warrior Queen of Jhansi tells the true story of Lakshmibai, the historic Queen of Jhansi who fiercely led her army against the British East India Company in the mutiny of 1857. From Queen Elizabeth to Queen Victoria, two-and- a half-centuries of East India Company rule will be reversed by its attempt to crush India’s Warrior Queen. Lakshmibai is known as one of the most prominent figures within the independence movement of India. The passion to free her province from colonial rule led this young woman to become one of the greatest generals of the Indian army, and to go down in history for her bravery, strategic acumen, and as a force to reckon with by the East India Company and the British Raj. The Warrior Queen of Jhansi is the story of the woman who lived and fought for the freedom of her people.
By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
In a remote himalayan region, the villagers of Maikot are preparing for the harvest of a mysterious aphrodisiac caterpillar-mushroom worth more than gold.
Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.
