Video Wall Installation of John Cage’s 4’33″

Feb 8, 2013

2h 19m

★ 0.0

Overview

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

Genres

Documentary

Music

Production Companies

eDream Institute

The National Center for Supercomputing Applications

Video Wall Installation of John Cage’s 4’33″ Trailers

No Trailers found.

Cast

No Cast found.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

0.0

Where do you come from, Silence

Oct 15, 2025

On her birthday, Greta avoids the town fair. After work at a piñata shop, she finds silence in a secret spot. Returning home, as fireworks crackle and the corrida begins, her father, missing for five years, is back.

0.0

City with Dreams of the Sea

Oct 24, 2024

Short film of a general landscape about the saturation of the city. 35mm.

0.0

Cold Trumpet

Jan 1, 1963

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

7.2

Kidnapped: Elizabeth Smart

Jan 20, 2026

Elizabeth Smart's harrowing abduction at 14 from her family's Utah home unfolds through her own words and never-before-seen material in this documentary.

10.0

Between Notes

Jan 17, 2024

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.

0.0

The Flood

Jul 8, 2021

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

0.0

Euphoria

Nov 29, 2022

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.

7.5

SOME COLORS

Dec 31, 2025

No overview available.

0.0

The Big Wheel

Jan 1, 1980

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

0.0

All this Roughness

Sep 2, 2020

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.

0.0

Sistine Chapel

Oct 13, 1993

Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.

10.0

Mulheres Compositoras na História de Passo Fundo (MCHPF)

Jul 2, 2025

No overview available.

0.0

Split

Aug 25, 2025

A man in a wheelchair moves through the world. We see what he sees and we see how the world sees him. Two perspectives, divided by a single line, running parallel but never meeting.

0.0

Green

Oct 6, 2023

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

No Image

0.0

Stray Light

Nov 26, 2011

A reflection on the iconic headquarters of the Johnson Publishing Company in downtown Chicago. The eleven-story Modernist building on South Michigan Avenue was home to Jet and Ebony magazines since its design in 1971. The building was heralded as the first major downtown Chicago building designed by an African-American architect since the eighteenth century. In the case of the Johnson family and its legacy, Hartt looks to the intersection of the publisher’s ideals and values, the style and aesthetics embodied by the site and the lasting cultural impact of the magazines.

0.0

With Sea Views

Sep 17, 2021

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

9.0

To Live and Die in AlHamadaniyyah

Jun 12, 2026

And a father sets out to inspect a new house in alhamadaniyyah. What follows drifts into his son's inner world where absence , ,unease , and unanswered questions beginning to take shape. Something about the decision doesn't sit right but no one sees it

5.6

Kusama's Self-Obliteration

Dec 31, 1967

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut