Euphoria

Nov 29, 2022

1h 54m

★ 0.0

Overview

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.

Genres

Drama

Documentary

Production Companies

Park Avenue Armory

Euphoria Trailers

Cast

Taxi Driver

Giancarlo Esposito

Virginia Newcomb

Ayesha Jordan

Kate Strong

Jeff Wood

Erik Hansen

Tim Williams

Jeff Burrell

Homeless Man

Robert Bronzi

Rocio Rodriguez-Inniss

Dora Zygouri

Esther Odumade

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

6.6

Cremaster 3

May 15, 2002

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

7.7

Black Mirror

Jun 20, 2011

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

0.0

The Flood

Jul 8, 2021

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

0.0

Looking through a Glass Darkly

Jan 4, 2023

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

5.6

Kusama's Self-Obliteration

Dec 31, 1967

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

0.0

Sistine Chapel

Oct 13, 1993

Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.

0.0

The Big Wheel

Jan 1, 1980

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

0.0

All this Roughness

Sep 2, 2020

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.

No Image

0.0

Stray Light

Nov 26, 2011

A reflection on the iconic headquarters of the Johnson Publishing Company in downtown Chicago. The eleven-story Modernist building on South Michigan Avenue was home to Jet and Ebony magazines since its design in 1971. The building was heralded as the first major downtown Chicago building designed by an African-American architect since the eighteenth century. In the case of the Johnson family and its legacy, Hartt looks to the intersection of the publisher’s ideals and values, the style and aesthetics embodied by the site and the lasting cultural impact of the magazines.

0.0

Cocoon

May 10, 2026

A film by daixuan (129mlwater on instagram) Inspired by Edogawa Ranpo’s novel, A Brute’s Love. The visual direction of this film is heavily influenced by Salvador Dalí, along with lots of other painters he admired over the years. In many ways, this film is a reflection of his personal artistic evolution. He also did sound design.

0.0

WHEN CINEMA SPEAKS...

May 13, 2026

Zineb Sedira pays tribute to the history of African Cinema and the filmmakers who had inspired her.

0.0

Green

Oct 6, 2023

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

No Image

0.0

Aadara

Nov 3, 2023

Combining ecological imperatives, unique land narratives, cultural folklore, ancestral agricultural traditions, and farming practices side by side using a dual-channel video projection aims to explore how ecological concerns in disparate contexts can unveil a third realm for reflection within poetic and empathetic frameworks. The video serves as tangible evidence of our collective journey as beings, extending local contexts and conveying local socio-ecological imperatives to distant settings, fostering dialogues both on and off the ground.

0.0

A Scenic Harvest from the Kingdom of Pain

Jun 6, 1984

Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".

No Image

0.0

Tierra

Apr 4, 2024

"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1

No Image

0.0

Dear Home of Scars

Invalid Date

A new installation by Ibrahim Mahama exposes the colonial ‘scars in the landscape’ in Northern Ghana and inspires the local community.

0.0

Euro Dome Simulator

Jun 25, 2026

While Virtual Reality promises a whole world, in fact it offers only a view within the strictly defined boundaries of a sphere. Is this also the case for the strictly defined boundaries of the European Union? When crossing the borders of the European Union, one is not allowed to film. This also applies to Google and their Street View cars, resulting in gaps in the available Street View coverage within the area of EU border control posts. The Euro dome is increasingly made more visible and intimidating from the outside: high fences with barbed wire stand tall along the border and armed border patrols pass by on a regular basis. While from inside the dome, one can only see a virtual glimpse of its borders. A faint reflection or a delayed feedback version.

0.0

Persistencia

Jul 9, 2016

In Antarctica, an artist prepares his installation simultaneously with a group of scientists conducting research. An essay on the persistence and loneliness of the creative act; like the flight of a butterfly in chaos theory or a silent prayer. A sensory experience. A visual poem made of ice, snow and wind.