Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
Self
The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.
The story of the rape of Nanking, one of the most tragic events in history. In 1937, the invading Japanese army murdered over 200,000 and raped tens of thousands of Chinese. In the midst of this horror, a small group of Western expatriates banded together to save 250,000. Nanking shows the tremendous impact individuals can make on the course of history.
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.
Summer 1936 - The Berlin Olympics, organized by the Nazi regime on the eve of World War II, acted as a grand showcase for a Germany that was athletic, peaceful and rejuvenated. The violence and hate that until then had reigned in the streets of Berlin suddenly vanished. Adolf Hitler became the triumphant host of European countries he would soon try to invade or face in a deadly global conflict.
Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.
From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s inimitable point of view.
Winston Churchill, one of the most revered men of the twentieth century. Adolf Hitler, one of the most hated leaders in contemporary history. Between 1940 and 1945, these two enormously contradictory personalities faced each other in both politics and war. A clash of giants whose story begins in the trenches of the World War I and ends with the debacle of the World War II.
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
There's not a person in the world who wouldn't recognize Mickey Mouse. But until now, not many knew the man who originally gave shape, movement and personality to the world's most beloved icon. "The Hand Behind the Mouse: The Ub Iwerks Story" takes you behind the scenes to meet Walt Disney's best friend and chief animator.
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
Documentary about Kurt Landauer, the long-time Jewish president of FC Bayern München, who led the club to its first German championship, was persecuted and forced out of office by the Nazis, and rebuilt the club after the war.
A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.
A journey through different places in 1930s Mallorca, the coast, the countryside, the city, in the company of the evocative music of Isaac Albéniz (1860-1909), to whom homage is paid.
Chain-smoking artists, poets and playwrights were among the colourful array of intellectuals living in the ‘Slovo House’ in 1920s Ukraine. The communist paradise was built under Stalin's approval, but it quickly became a prison. The brutal Soviet regime spied on the inhabitants, destroying their eccentric way of life and sealing their fate. This fascinating film explores the extraordinary story of the building and its residents.
The life and career of legendary Hollywood glamour portrait photographer George Hurrell is profiled by his contemporaries including other photographers and actors he has shot.
A photographic journey compiled from journals, archival footage and photographs of an Australian military photographer, Sir Hubert Wilkins in 1931 as he went from New York to the North Pole in an old WWI submarine to explore the Arctic Ocean. Included on dvd are a brief history of the submarine and photographic gallery of Wilkins.
Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
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