A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.
They come from all walks of life and have lived for almost a century. They have lived through the upheavals of history. They are funny, moving and rebellious. They surprise and amaze us. Yet we rarely hear their voices. This film is an invitation to travel across France and meet them: the Old People.
A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
Twenty years ago, novelist Salman Rushdie was a wanted man with a million pound bounty on his head. His novel, The Satanic Verses, had sparked riots across the Muslim world. The ailing religious leader of Iran, the Ayatollah Khomeini, had invoked a little-known religious opinion - a fatwa - and effectively sentenced Rushdie to death. This film looks back on the extraordinary events which followed the publication of the book and the ten year campaign to get the fatwa lifted. Interviews with Rushdie's friends and family and testimony from leaders of Britain's Muslim community and the Government reveal the inside story of the affair.
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In the crystal clear waters off the coast of Borneo, a unique way of life threatens to disappear forever. For generations, the Badjao were oceanic nomads, living in harmony with the sea as fishermen and free divers. Nowadays, however, only a few Badjao remain, like Alexan, who still remembers the old ways. He hopes to pass his knowledge along to his ten-year-old nephew Sari, but time and opportunities are running out. Sari loves the sea, but it can only offer a hard life of subsistence fishing, while the nearby tourist resort sings a siren song of easy money.
Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
We all know Curious George. But what about his creators, Hans and Margret Rey? From fleeing Nazi Germany on handmade bicycles to encounters with exotic animals in Brazil, the Reys lived lives of adventure that are reflected in the pages on one of the most treasured children’s book series of all time.
Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.
The film analyzes the efforts by the families of 9/11 victims to create the 9/11 Commission and what information was revealed by it in the 9/11 Commission Report.
A survivor of the Rwandan Genocide struggles to forgive the man who killed her children. A victim’s daughter strikes up an unusual friendship with the ex-IRA bomber who killed her father. And two men—one Israeli, one Palestinian—form a bond after tragedies claim their daughters.
