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Megacities is a documentary about the slums of five different metropolitan cities.
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
Air Disasters exposes some painful truths behind the world of flight, using actual footage of real incidents to look at why planes crash; in aerodynamic and technical terms and in the way the industry is run.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
Mike Brewer sets off on a journey of discovery to find out the story of one of the most remarkable aircraft in the British Armed Forces: a Chinook helicopter code named Bravo November. By doing so he examines the invaluable contribution that these helicopters have made to campaigns from the Falklands War to modern day British Military service over the past thirty years.
Classic Fighter – the story of the great piston-engined fighters of World War Two. A tribute to the men who flew them, and to the men and women who guided them and kept them in the air. Made in conjunction with the Imperial War Museum, Duxford, this programme tells the story of these great war planes. Stunning air-to-air flying sequences are intercut with interviews with pilots and aircrew of the British and American air forces. Some of the fighter aircraft featured are the Supermarine Spitfire, the Hawker Hurricane, the Messerschmitt Bf109, the P-47 Thunderbolt and the P-51 Mustang.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
When a massive Chinese factory complex attempts a high-stakes expansion in rural Ethiopia, three women in search of prosperity have their faith in industrialization tested to the limit. Filmed over four years with singular access, Made in Ethiopia lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film was awarded the Jury Special Mention at Tribeca Festival.
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Point of No Return takes you behind the headlines of the first solar-powered flight around the world—where two courageous pilots take turns battling nature, their own crew, and sometimes logic itself, to achieve the impossible. Not just to make history, but to inspire a revolution.
The Concorde remains a legend of the sky. In both looks and performance, it was incomparable, and the technology behind it was nothing less than revolutionary. Learn all about this magnificent craft that was able to fly at over 1300 mph, linking Paris and London to New York in under 4 hours. A unique flying machine, it remains the only supersonic commercial aircraft in the history of aviation.
A journey through a century of Ambrosoli family history.
The story of the factory worker Pietro Perotti, who worked at Fiat Mirafiori from 1969 to 1985 and participated in the workers’ protests by overseeing communications inside the factory, making stickers, wall posters, texts and drawings in the bathrooms, figures out of papier-mâché and foam rubber, and turning the protest marches into “street theatre.” With his movie camera, Perotti immortalized the situations and workers’ protests at Mirafiori until 1974. Thanks to this unpublished material, the movie paints a fresco of factory life in what used to be Europe’s biggest metalworking factory.
Steve Glew, a small-town Michigan farmer, boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable pez dispensers. If he succeeds, he will pull his family out of poverty and finally find a purpose in his mundane life.
A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.
Thundering across the sky on elegant white wings, the Concorde was an instant legend. But behind the glamour of jet setting at Mach 2 were stunning scientific innovations and political intrigue. Fifteen years after Concorde's final flight, this documentary takes you inside the historic international race to develop the first supersonic airliner. Hear stories from those inside the choreographed effort to design and build Concorde in two countries at once - and the crew members who flew her.
In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by a mallet and drop into a garbage bin. A single black chick appears among the yellow and is shoved toward the garbage bin. Before the mallet strikes, the gasping chick rebels.
Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
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