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Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.
Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Megacities is a documentary about the slums of five different metropolitan cities.
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
Air Force One is a marvel of military engineering. For more than half a century, the presidential fleet of armed jumbo jets has served as a flying fortress for America's commanders-in-chief, carrying them in victory, in shame, and even death. Join us as we take an unprecedented look at the world's most famous aircraft: how it was born, how it has developed over the decades, and the role it has played in historic events, from the death of Kennedy to the 9/11 attacks to a morale-building, surprise Thanksgiving visit to Iraq, and more.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
Point of No Return takes you behind the headlines of the first solar-powered flight around the world—where two courageous pilots take turns battling nature, their own crew, and sometimes logic itself, to achieve the impossible. Not just to make history, but to inspire a revolution.
Mike Brewer sets off on a journey of discovery to find out the story of one of the most remarkable aircraft in the British Armed Forces: a Chinook helicopter code named Bravo November. By doing so he examines the invaluable contribution that these helicopters have made to campaigns from the Falklands War to modern day British Military service over the past thirty years.
The incredible story of the Avro Lancaster, one of the finest bombers of the Second World War, which played a crucial role in the long and savage campaign to defeat Hitler's Third Reich. This documentary features interviews with surviving veterans of Bomber Command, who share frank personal accounts of their part in an aerial battle of attrition which claimed the lives of 55'000 aircrew.
This documentary from 1980 depicts a factory community in China where over 6000 workers process, spin and weave raw cotton into 90 million yards of high-quality cloth per year. Also seen are the workers' residential, social, recreational and educational facilities, all located on factory property. The film presents an engrossing study of a lifestyle that is very different from that of the Western world.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
Air Disasters exposes some painful truths behind the world of flight, using actual footage of real incidents to look at why planes crash; in aerodynamic and technical terms and in the way the industry is run.
A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.
The programme charts a BEA Trident 1C from AMS to LHR
An original portrayal of a small Czech village where – as the locals put it – an UFO has landed in the form of a kilometre-long silverish factory: a Korean Hyundai automobile plant. The village, hitherto famous mostly for its sauerkraut and the “Radegast” beer was thus turned into an industrial zone – the largest greenfield investment project in the Czech Republic’s history. Nonetheless, for a long time many farmers resisted selling the land upon which the factory was now standing. Eventually, they all succumbed under the pressure from the neighbours, and even the anonymous death threats. The filmmakers returned to Nošovice two years after the dramatic property buyouts, at the time when the factory has just started churning out cheap cars. Combining the perspectives of seven characters, they have composed a portrayal of a place suddenly changed beyond recognition that is playful and chilling at the same time: a politically engaged absurd flick about a field that yields cars.
In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by a mallet and drop into a garbage bin. A single black chick appears among the yellow and is shoved toward the garbage bin. Before the mallet strikes, the gasping chick rebels.
Compiled from the Imperial War Museum Official Collection, this film collects rare and previously unseen film material shot by official cameramen on behalf of the RAF before the formation of the RAF Film Production Unit in September 1941. It tells the story of the RAF in the early years of the Second World War through the "phoney war", the Blitzkfreig and the Battle of Britain, capturing everyday life for those who served as wel as the RAF's frontline aircraft of the period. Other highlights include a fillmed account of a Blenheim raid on Northern France, a Sunderland flying boat sortie over Norway and Winston Churchill inspecting the new American aircraft for the RADF including the B-17, Douglas Boston and P-40.
