Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
Self
The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
Gangstresses, a documentary by Harry Davis, tells the story of violence, poverty, and survival in the streets from a female perspective. Over a two-year period, Davis interviews female hustlers, drug dealers, rappers, porn stars, prostitutes, mothers, and daughters. Among them are Champagne, a well-known African American porn star who has a small child; Mama Mayhem, a street hustler; Uneek, a rapper from the Bronx; and Vanessa Del Rio, a famous porn actress. Musicians Lil' Kim, Mary J. Blige, Ice T, and Tupac Shakur also share personal stories of survival. The documentary conducts follow-up research on the women's complicated lives, offering glimpses of both tragic reality and hopeful recovery.
A short film depicting the universality of life, growth, and how beautiful life is to simply exist. The film shows how beautiful it can be when we show tenderness & love for one another, through the narration & home movies of four sisters & their mother from when they were born up to the present. The film was made over 18 years on The Australian Coast.
The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
The film follows the life of a large family over three decades and generations. The rising saga of a formerly homeless family survived since the mid-seventies solely thanks to the mother's figure, the strength and bond of this "Mama General". Following her motto, "one for all - all for one," she keeps the family together and tied. And yet, it is no longer like before. One force is noticeably weakening. Mama General is dying...
A Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of under-privileged middle school students as they undergo six months of vigorous training to produce a musical on stage.
"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.
Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.
Documentary focusing on 25 year-old actress Jane Fonda as she and her director Andreas Voutsinas prepare a stage play called The Fun Couple for Broadway.
Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.
Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.
François Delisle draws an intimate portrait of his mother in a nursing home. A chronicle of the daily life and medical care of a woman approaching the end, treated with love, respect and dignity.
Documentary about the production of Bunk #7.
No overview available.
New light is shed on the complex relationship between Romy Schneider and her mother Magda, a German film star of the 1930s admired by Hitler - who welcomed her and her daughter to his chalet in Berchtesgaden.
The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.
No Trailers found.
