A sobering look at the brutal treatment of Japanese-Americans before, during, and after WWII as well as the global repercussions that resulted.
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As World War II looms, Pope Pius XI calls on a humble American priest to help him challenge the evils of Nazism and anti-Semitism. But death intervenes, and Pope Pius XII now carries out a very different response to Hitler and the Holocaust.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
Filmmaker Fang Li and his crew explore exhaustive historical investigation, as far as possible to find the core of the British, American, Japanese and Chinese parties and descendants, trying to infinitely close to the truth of the World War II "Death Ship" — "Lisbon Maru", which is 30 meters under the sea off the East Polar Island in Zhoushan, China.
The village of Yahidne in northern Ukraine is coming back to life. Dogs are running around. Gardens and crops are green again. People support one another and families have reunited. In a movement of solidarity, local youth help rebuild what was devastated a year ago when Russian troops occupied the village imprisoning the villagers in the school's basement for a month. The villagers' attitudes alternate between their desire to move forward an remembering the horrors of the past. A heartwarming tribute to resilience and unity.
A forensic investigation into the impact of Israeli military operations on Gaza’s healthcare system. This urgent documentary examines evidence of widespread destruction across the territory’s medical infrastructure, where all 36 main hospitals have reportedly been damaged or destroyed. Hundreds of healthcare workers — including doctors and surgeons — are known to have been killed, injured or detained, with some alleging imprisonment and mistreatment
Is it morally acceptable to use the civilian population as yet another tool for waging war? Is it possible to justify death and destruction for the sake of supposedly lofty ideals? The question remains as pertinent today as it was at the beginning of World War II, and it is becoming increasingly urgent to answer, as countless tragedies have been caused by unethical political decisions.
The Black Book, drafted during World War II, gathers numerous unique historical testimonies, in an effort to document Nazi abuses against Jews in the USSR . Initially supported by the regime and aimed at providing evidence during the executioners’ trials in the post-war era, the Black Book was eventually banned and most of its authors executed on Stalin’s order. Told through the voices of its most famous instigators, soviet intellectuals Vassilli Grossman, Ilya Ehrenburg and Solomon Mikhoels, the documentary, provides a detailed account of the tragic destiny of this cursed book and puts the Holocaust and Stalinism in a new light.
In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.
Despite his horrible experience as a prisoner of war during WWII, Frank Maselskis stays in the military and goes on to fight in Korea, where he participates in the brutal battle of the Chosin Reservoir. Upon returning home, Frank struggles to live a normal life while raising his daughters.
Beginning with Guernica and the Chinese cities of Chongqing and Shanghai in 1937 and ending with the bombing of Hiroshima and Nagasaki in August 1945, World War Two saw a new art of warfare in the form of extensive, worldwide bombing campaigns.
This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film
The war in Europe is over, but the one at home has only just begun. The Second World War is ending and throughout Britain, evacuees are returning home to their families - but not the families they remember. Like so many other women, Peggy’s life has been transformed by the war. Living and working with good friends, she is happier than she has been for years. Yet Peggy’s life is not the only one changed by the war. Her daughter, Rusty, has just returned from the U.S., where she has been living as an evacuee for the last five years. After so long abroad, her home in England has become unrecognizable. Just as Peggy begins to restore normal family bonds, her husband returns from the war, damaged and desperate to make everything as it was before. Adapted from the novel by Michelle Magorian, author of Goodnight, Mister Tom, Back Home is the story of a family who struggle to make sense of their new lives in a world irrevocably altered by the far-reaching effects of war.
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World War II comes to an end. Tokyo is a destroyed place, without law, driven by hunger and greed. From over 100,000 pages of declassified CIA documents and hours of newly discovered footage, recorded by American occupation charges and private individuals, the documentary shows Tokyo during this crucial year, Year Zero. Observed from the point of view of a young man who finds himself transported in time, the NHK documentary uses color images and state-of-the-art video techniques to reveal how a desperate population is published as the foundations of today's megalopolis.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)
The destruction of the traditional legal system is probably one of the lesser-known yet essential goals of the Nazi state. The aim was to establish the supremacy of the "people's community" over the individual by subjugating the judicial system. The documentary looks at the careers of four people who were actively involved or became victims.
A two-part television film based on the novel of the same name by Rudolf Jašík, depicting a realistic picture of life and interpersonal relationships during World War II in the mixed Slovak-German environment of the town of Pravna and the nearby village of Planice, as well as life and relationships between soldiers on the Eastern Front. From this perspective, the plot follows a unit of Slovak soldiers, their realisation that they are fighting for foreign interests, their dissatisfaction and distrust of everything, especially their officers.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
A television documentary directed by Marcel Ophüls examining the Munich Conference of September 28, 1938, when European leaders met to avert the outbreak of war. Through archival documents and interviews, the film reconstructs the political atmosphere surrounding negotiations between Britain and France on one side and Nazi Germany and Fascist Italy on the other, situating the agreement within the broader context of European appeasement in the face of fascism.
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