Documentary on the life of naturists on a resort in Spain.
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Self - Presenter
Self - Naturist
Self - Presenter / Katarina's Husband
Self
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
A song is heard in the distance. It comes from the Hekeng village, famous for its ancient earthen buildings, also called tulou. It is where the last original Hakka families live amidst the exodus of those looking for a more modern environment. Among them there is Zhang Zhouyin, an elderly man concerned about the state of the village's temple; or her daughter-in-law, Wei Yi, who spends her entire day guiding tourists through these awe-inspiring houses. And then there’s young Zhang Weibo, her son, who manages to find joy even in the simplest of things... Hekeng: a place frozen in time whose songs have endured for centuries.
This Traveltalk series short looks at four of Spain's most famous cities, Granada, Seville, Toledo, and Madrid, with an emphasis on the Moors and their influence on the country.
An unprecedented UHD film on Karnataka's rich biodiversity narrated by David Attenborough. Portraying the state with highest number of tigers and elephants using the latest technology - a masterpiece showcasing the state, its flora, fauna.
A documentary about a special naturist resort, which is located in the south-west of France in the Medoc. There naked recreation for lovers of ideal conditions - there is a complete infrastructure - cinema, restaurant, cafe, sports grounds and more and never have to dress themselves absolutely nothing.
A documentary comparing and contrasting the origin of the nudist movement with how it is practiced today. The film also offers a look at the making of a nudist movie and a retrospective of nudist films from the 1930s to the 1960s.
A gentle portrait of the mythical Spanish actor Arturo Fernández (1929-2019) in the hour of his passing, in his own words, through his latest interviews, not previously broadcast, and the words of those who knew him thorough decades of charming and good performance on stage, his true home, as well as in cinema and television.
A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.
Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.
Naked in America follows four everyday American couples from all walks of life, as they shed their clothes and inhibitions for a week at a luxury nudist resort in Palm Springs, California. Capturing the reactions of this diverse group to their new environment, the uncensored feature-length documentary examines the American attitude towards the naked human form, and to each other.
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.
Accompany Osvaldo, "El Mariana", on an intimate six-month journey as he prepares for his fight at La Velada del Año 4, at the Santiago Bernabéu stadium in Madrid. Through his training, we not only see him face physical and emotional challenges, but also discover new facets of himself, where his public and personal lives become deeply intertwined.
Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.
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The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.
Documentary about Spanish director Luis García Berlanga's "The Executioner" (1963)
Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.
