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At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.
In Naples, where the modest clerk Michele Crispucci lives with his daughter Assuntina, his ex-wife arrives with her circus. The young Concettino confides to a friend that he wants to give up his marriage to Assuntina, because twenty years earlier the girl's mother had abandoned the family and become rich by giving herself to wealthy lovers.
A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an "artistic" shot, part of a play.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
An enigmatic actress may have a hidden agenda when she auditions for a part in a misogynistic writer's play.
Greed, corruption, ignorance, and disease. Midsummer, 1349: the Black Death reaches northern Germany. Minstrels go to Hamelin for the Mayor's daughter's wedding to the Baron's son. He wants her dowry to pay his army while his father taxes the people to build a cathedral he thinks will save his soul. A local apothecary who's a Jew seeks a treatment for the plague; the priests charge him with witchcraft. One of the minstrels, who has soothed the Mayor's daughter with his music, promises to rid the town of rats for the fee. The Mayor agrees, then renigs. In the morning, the plague, the Jew's trial, and the Piper's revenge come at once.
In 1976, the Czech New Wave philosopher and director Evald Schorm came to the Na zábradlí Theatre. He stayed there for twelve years, until his death. He raised a generation of actors who were aware of their own personalities. In The Brothers Karamazov, the then compact acting ensemble performed in full force on stage. Schorm created from ban to ban (Hamlet, Macbeth, The Brothers Karamazov, Marathon) and in front of Zábradlí, there were queues for tickets in double rows all the way to the Vltava embankment: when the subscription began, people slept outside from midnight until ten in the morning, when the box office opened, in sleeping bags, they brought fishing chairs to the theater. A ticket to Zábradlí was more valuable than Tuzex vouchers...
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Historical legend composed of five Scenes. 1. William Tell's heroism. 2. The Plot. 3. The Apple. 4. Death of Gessler. 5. The Swiss cheer their Liberator. This popular and interesting legend takes place amidst the country life of the mountain populations. The beautiful and picturesque sites which exist in Switzerland have given us an opportunity of utilising the resources our theatre affords, and our scene-painters have been able to have a free run on their imaginations, and have completed the work by a series of magnificent scenes in the most artistic character.
Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. Like As You Like It and Twelfth Night, Much Ado About Nothing, though interspersed with darker concerns, is a joyful comedy that ends with multiple marriages and no deaths. Also known as "Globe on Screen: Much Ado About Nothing".
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his new wife, Desdemona; his lieutenant, Cassio; and his trusted ensign, Iago. Because of its varied and current themes of racism, love, jealousy and betrayal, Othello is still often performed in professional and community theaters alike and has been the basis for numerous operatic, film and literary adaptations.
"Vanity of vanities, everything is vanity" says the bible. The word flows from the tongue naming the pleasure of earthly life and judging it as beautiful, but shallow and useless; vanity is a deadly sin. A female sin. The man painted the woman, put a mirror in his hands and called it vanity. The woman in representation admires herself, but the one who really admires her body is the artist. Whose vanity? In VANITAS, we re-divide the woman in our bodies, showing the depth of what is palpable. If the Father's temple hides after death, clean and perfect, we reject them. We welcome Mother Nature in us, life-death in a perpetual sacred cycle, also honoring her dark face. You may wish to reach heaven, but it is on earth that your knees fall.
Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.
Kristian Smeds's sensational debut at the National Theater. Smeds's adaptation of Väinö Linna's The Unknown Soldier had a powerful impact even on those who had not seen the play. In the National Theater's interpretation, modernity and intensity are strongly present throughout the play. The cast includes Antti Luusuaniemi, Kristo Salminen, and Jaakko Kytömaa.
Orgon and his mother swear by Tartuffe, the self-styled devout who lives off them. The other members of the family, scandalized by the clergyman's hold over them, will do anything to expose his hypocrisy. Michel Bouquet plays an almost monstrous Tartuffe, whose only weakness lies in his feelings for Elmire.
Isabel is an Actress. Xavier wants to be a Director. Isabel is looking for Love. Xavier is looking for the Love of his Life. Isabel is stuck on a bad relationship. Xavier is looking for one. Isabel sings while Xavier watches. Will love rule the Ocean? Or will the waves strike hard on both of them?
Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.
An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.
On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.
