Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.
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Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky’s private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them.
Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
A group of geeky teens in backwoods New Hampshire start a punk band as a way to make sense of their high school angst, raging hormones, and raucous personalities. When they accidentally attract a cult following and become local town legends, they struggle to balance their wayward persona with the looming pressures of adulthood.
In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.
A papercut stopmotion animation in which human Travelers from 2053 travel 30 years into the past to warn "foundlings" of the future that awaits them. The story follows Jonah and his Traveler, learning about the possible chaotic future that could happen if such measures are not applied.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.
A newly married bear couple will have to fight time and distance with love when hibernation tries to separate them.
An intense short movie showing a turbulent marriage. The wife is always smiling. The man gets angry time and again.
A and N, a couple of peasants create an informal metallurgy workshop in the outskirts of Bogotá in the hope of a better life. The social, environmental and organic consequences they must endure in order to adapt to the industrial capitalism that storms Latin America affects dramatically their relationship and their history.
A narrative poem brought to life and an ode to a grandfather's passing, NAMOO—which translates to “tree” in Korean—follows the journey of a budding artist from beginning to end.
A piñata experiences the same fateful day over and over again, on which it is bought by a girl and finds death at her garden party. Shocked, the piñata tries to break out of this eternal cycle.
A Romany woman travels from Praha to her home in Transylvania
From the wall of a small town bakery, a cuckoo clock recounts a day where bread was sliced one second thick, lovers fell in sync and time rarely flowed at an even rate.
In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.
Tired of everyday monotony, a simple girl finds herself in an alternative universe. In the urban scenery of a music video from the 80s, she will try to breathe life into a world mired in routine.
Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.
Three people with different mysteries abilities want to solve the mystery of a mass suicide in order to prevent another one.
A beast at sea yearns for more.
