A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
A photo studio operator seems only interested in flirting with women. Hilarity ensues.
At a dinner party, a hostess serves her guests a dish made using meat from a bull. While most of them enjoy the meal, one man has a strange reaction: Taking a set of horns off the wall, he attaches them to his head and sets off on a rampage. After destroying the house and terrifying his hostess, her guests, maid, and neighbours, he takes to the streets. The police sends a telegraph to Spain asking for help, and in response a parade of matadors arrive in Paris, ready to slay the crazy beast-man. However, soon after the man-bull fight begins, the errant guest comes to his senses and is taken into custody by waiting policemen.
The story of Charles Peace, one of Britain's most notorious criminals. Peace was an expert in cat burglary. The film reconstructs Peace's real-life leap from a train on his way to trial for the murder of Arthur Dyson.
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats.
Mr. and Mrs. Hilton throw a New Year's Eve party. They agree not to drink the punch themselves, but as guests begin to arrive their resolve weakens, and soon they are both cavorting drunkenly. Next morning Mr. Hilton, feeling very sick, is conscience-stricken over his drunkenness and his behavior with another woman. He fears to face his wife until he discovers that she feels just as guilty herself.
Romance of a Boot and a Dancing Slipper
First ever Bangladeshi feature film. The film about a conflict between two family members.
A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.
Daisy Jones had been married just a year when her husband failed to kiss her one morning, and she decided that he did not love her any more.
‘Departure of Love’ was inspired by the silent film comedy of Buster Keaton and the 1920s.
Grandmother Koba has to take care of her grandchild Emma's digital horse farm.
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As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
Compilation of comedy sketches from the comedy kings Buster Keaton, Charlie Chaplin, Danny Kaye & Bing Crosby.
Yeong-deuk and Jeong-sun and engaged. Yeong-deuk comes back home after completing his studies and meets the wrong kind of friends who revel in liquor and women.
A naive young man joins the Army in order to become a pilot.
The hilarious story of a restless young farm-thumb, Loke Groundrunner, and his tasty companion, Princess Bunhead, who go on an quest to combat Black Helmet Man and the Evil Thumbpire. This is the first film of the hilarious 'Thumbs!' franchise.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
The Dumb-Bell
The Foreman
Mill Owner
The Boss's Daughter
The Boss
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