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Martine
Álvar
Jimena
Fidi is aimlessly hitchhiking on a snowy winter's night and ends up being seduced by Nona into murdering several innocent bystanders.
Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.
The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.
This is essentially a highly condensed remake of the famous 1982 Isao Takahara release. It tells the story of Gauche, a struggling cellist in a provincial orchestra. He is visited by four talking animals - a cat, a cuckoo, a tanuki, and a field mouse - on successive nights They help him to improve his playing, just in time for orchestra’s concert performance of Beethoven’s Pastoral Symphony.
Jimmy lives through a nightmare of blood and violence. Surreal images are replaced by brutal splatter. An inferno from which Jimmy is only too eager to wake up. Young director Lars Cramer presents his first work, accompanied by dark Italian sounds.
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Two mimes are preparing for the evening's show, but one of them has got something more sinister in mind.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
A painter in a creative crisis gets help from a monster behind a door in her studio.
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.
After a woman's brother is killed in an accident, she hires the help of a psychic to prove that it was murder and to save her brother's soul.
Two Brothers dealing with the divorce of their parents
It's Halloween and monsters of all kinds come out of the shadows in the quiet town of Crystal Wood. Follow the locals as they survive the night of the Blood Street festival and the echoes of the neighborhood's eery past.
Once in a God-forsaken place, the heroine and her adopted daughter are forced to look for a bed for the night. Having found shelter in the building of an abandoned boarding school, she meets there close people from her past.
Social media influencers are stalked by a killer wearing their faces as masks on the night of an event opening.
A heartwarming festive tale of friendship and love. Set in the corner of the forest, Mr Bear and his best friend Mouse excitedly share their joy of Christmas as they plan a party for all their friends with plenty of festive treats.
A 10-year-old boy sets off on a long-promised adventure with his father to discover Europe's biggest dam. But as they progress, harbored feelings surface and their relationship is put to a test. The dam they eventually face is not the one initially dreamed of.
A man tries to pack away his belongings before a storm hits his urban home. As the eye of the storm descends upon him, the man discovers that something is among the cardboard boxes.
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.