How LFTR, the Liquid Fluoride Thorium Reactor, will unlock abundant clean energy stored in Earth's plentiful thorium.
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A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.
Ben Fogle spends a week living inside the Chernobyl Exclusion Zone, gaining privileged access to the doomed Control Room 4 where the disaster first began to unfold.
In a quiet forest, a sign warns of radiation hazard. “Is this the past or the future?” muses the masked figure who appears like a kind of ghost in nuclear disaster areas. At a time when nuclear power may be re-emerging as an alternative to fossil fuels, this calmly observed and compelling tour takes us to places that may serve as a warning.
In this thrilling documentary, indomitable women fight back against the nuclear industry to expose one of the biggest cover-ups in US history: the 1979 Three Mile Island meltdown and its aftermath. The film reveals the never-before-told stories of four intrepid homemakers who take their case all the way to the Supreme Court, and a young female journalist who's caught in the radioactive crossfire.
Filmmaker Jamie Redford embarks on a surprising journey across the U.S. to meet entrepreneurs, community activists and ordinary citizens who are pioneering the use of clean energy technology, often in the most unlikely places, in the process creating jobs, turning profits and making Americans’ lives healthier.
Bright Green Lies investigates the change in focus of the mainstream environmental movement, from its original concern with protecting nature, to its current obsession with powering an unsustainable way of life. The film exposes the lies behind the notion that solar, wind, hydro, biomass, or green consumerism will save the planet. Tackling the most pressing issues of our time will require us to look beyond the mainstream technological solutions and ask deeper questions about what needs to change.
A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.
On April 26, 1986, a 1,000 feet high flame rises into the sky of the Ukraine. The fourth reactor of the Chernobyl nuclear power plant just exploded. A battle begins in which 500,000 men are engaged throughout the Soviet Union to "liquidate" the radioactivity, build the "sarcophagus" of the damaged reactor and save the world from a second explosion that would have destroyed half of Europe. Become a reference film, this documentary combines testimonials and unseen footage, tells for the first time the Battle of Chernobyl.
Thirty-six years after the Chernobyl nuclear reactor exploded in Soviet Ukraine, newly uncovered archival footage and recorded interviews with those who were present paint an emotional and gripping portrait of the extent and gravity of the disaster and the lengths to which the Soviet government went to cover up the incident, including the soldiers sent in to “liquidate” the damage. Chernobyl: The Lost Tapes is the full, unvarnished true story of what happened in one of the least understood tragedies of the twentieth century.
CHARGE is proof that maniacs on motorcycles can be a force for global good. The movie follows several teams to the world's first zero-emissions grand prix on the Isle of Man – the most demanding and deadly circuit on the planet – in 2009 and on their return in 2010, 2011, and 2012. For the visionaries, it's history. For the petrol-heads it's blasphemy. What's racing without the sound and fury of internal combustion engines? CHARGE is about the future. It's about change. It's about the dream of a clean, green world. It's about the dream of winning.
A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”
A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.
Six months after the explosions at the Fukushima nuclear plant and the release of radiation there, Professor Jim Al-Khalili sets out to discover whether nuclear power is safe. He begins in Japan, where he meets some of the tens of thousands of people who have been evacuated from the exclusion zone. He travels to an abandoned village just outside the zone to witness a nuclear clean-up operation. Jim draws on the latest scientific findings from Japan and from the previous explosion at Chernobyl to understand how dangerous the release of radiation is likely to be and what that means for our trust in nuclear power.
The documentary presents the results of research on nuclear waste management in the U.S., Russia, Germany and France. The authors Eric Noualhat Guéret and Laure were accompanied by the independent French laboratory technicians radiation control, CRIIRAD. They have detected and measured radiation in many places like the U.S. Columbia River or the French plutonium factory called reprocessing plant at La Hague.
On April 26th, 1986, reactor four at Chernobyl nuclear power station explodes, sending an enormous radioactive cloud over Northern Ukraine and neighbouring Belarus. The danger is kept a secret from the rest of the world and the nearby population who go about their business as usual. May Day celebrations begin, children play and the residents of Pripyat marvel at the spectacular fire raging at the reactor. After three days, an area the size of England becomes contaminated with radioactive dust, creating a 'zone' of poisoned land. Based on Mario Petrucci's award-winning book-length poem (split over two books), 'Heavy Water: a film for Chernobyl', and the shorter version 'Half Life: a Journey to Chernobyl", tells the story of the people who dealt with the disaster at ground-level: the fire-fighters, soldiers, 'liquidators', and their families.
With striking images and meticulous sound work, Burial reminds us of the paradoxical relationship between scientific development and the destruction of nature. Questioning the effects of human activity on the planet we inhabit and which we have put at risk, the film focuses on the unsolved issues of nuclear plants and nuclear activity.
Dr George McGavin and Dr Zoe Laughlin set up base camp at one of the UK's biggest sewage works to investigate the revolutionary science finding vital renewable resources and undiscovered life in human waste. Teaming up with world-class scientists, they search for biological entities in sewage with potentially lifesaving medical properties, find out how pee can generate electricity, how gas from poo can fuel a car and how nutrients in waste can help solve the soil crisis. They follow each stage of the sewage treatment process, revealing what the stuff we flush can tell us about how we live today, and the mindboggling biotechnology being harnessed to clean it, making the wastewater safe enough to return to the environment.
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After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
