Peppino Fattibene
Filomena
Luigino Poveretti
Giocatore
Peppenella alias Sciù-Sciù
Giovannino
Delegato di Polizia
Gennaro Fierro
No overview available.
Théâtre de la Porte Saint-Martin , Paris From 16 janvier to 28 avril 2018. The Game of Love and Chance (French: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.
Accumulating money through usury and self-denial is Harpagon's passion and ostentatiously displayed purpose in life. He loves money more than his good name, honor, and dignity. His wealth is more important to him than his own children. He plans to marry his daughter Eliza off without a dowry to an aging rich man, his son Cleante to a wealthy widow – and he himself has chosen the beautiful young Mariana as his bride, regardless of the fact that his son is in love with her. And this is only the beginning of the hypocrisy, deceit, and manipulation that develops in his family and among his servants under the influence of Harpagon's miserliness...
Harold Pinter's play, "The New World Order" was first performed on July 19th 1991 at the Royal Court Theatre Upstairs, London. The following is Richard Corso's film adaptation starring Cody Dermon (as Des), Haydn Winston (as Lionel) and Tyler Compton (as Blindfolded Man).
An angel takes on human form in order to persuade a theatrical couple to finally consummate their child that has been waiting to be born.
Doctor Petypon, a respectable doctor, partied until early morning at Maxim's. His best friend discovers him asleep at noon under an overturned sofa. From the bedroom comes the Môme Crevette, a dancer from the Moulin Rouge. She is forced to pretend to be his wife. It stings at the game and causes a cascade of misunderstandings, imbroglios and drama at a frantic pace.
"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "
The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?
Thanks to the legacy of an English lord, the cobbler Andrea has become a baron and now has delusions of nobility: he wants a high-ranking marriage for his stepdaughter Virginia and does not recognize the brothers of his wife, Rosina and Michele, even after the latter has saved the his house from a fire. Virginia does not like her promised Marchese Alberto, but Felice Sciosciammocca, a shy and poor master of calligraphy, who reciprocates her. But when Felice learns that the girl will soon marry another, out of spite he accepts the court of the late Marquise Zoccola, Alberto's mother.
Desires, obsessions and unfulfilled love - the psychedelic formula of the play pushes the previous boundaries of communication with the audience.
Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place
At an all-girls school, a group of girls prepare for a stage performance of Anton Chekhov's "The Cherry Orchard".
Jean-Marie Bigard plays Clérambard, a ruined squire, his family's slavery slave, cat taster, parish priest eater. Converted after an appearance of Saint Francis of Assisi, he becomes as violent in good as he was in evil. A tailor-made role! He no longer touches animals, even if they are insignificant, he finds purity in girls of joy, pleasure in destitution and he will preach this message on the roads, in a caravan, taking his family on its crusade of love .
2 thirty year old friends in an empty apartment. One is a mediocre comedian, the other a failed playwright. The former sold his apartment and asked the latter to be present when the compromise was signed, to reassure the buyer. Because if he writes very bad plays, he still has a reassuring face. It’s its great quality. We're waiting for the buyer. Besides, buyer or pigeon?
Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.
A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.
At the Seisho Music Academy, the 99th Graduating Class is rehearsing for the annual production of the theatrical play, Starlight. Behind the scenes, however, an underground "Revue Starlight" audition, orchestrated by a talking giraffe, pits the students against each other in stage battles in order to shine as the top star. Karen Aijō, upon being reunited with her childhood friend Hikari Kagura, comes across these auditions and battles to become the top star alongside Hikari.
"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "
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