I Don't Force You to Hug Me
At the end of a quarry, in a godforsaken place called Rotzloch, a new life begins for four young men.
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Himself
Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?
A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?
Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?
Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.
HOMME-RELAIS spotlights Juan Manuel, a doctor turned community leader who, amid migration grief and integration challenges, guides immigrant men through a life-changing program: forging resilience, belonging, solidarity, and hope.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
The film focuses on the exciting life journey of Swiss writer Katharina Zimmermann. She follows her husband on a mission to the jungle in Indonesia where she raises their four children and five foster children and lives through the military coup. Back in Switzerland Katharina discovers her voice and finds her path. Now, at eighty, she is writing her life story. Yet suddenly she faces another battle because her publisher is threatening to let her go.
A documentary about healers from the Swiss canton of Appenzell.
This short film traces the journey of the first Ukrainian settlers in Canada. Seeking freedom and opportunity, they came here and became instrumental in helping to open the Canadian West. Though they had little in the way of money or machinery, they had courage and faith in the future and were willing to put in the hard work. Every member of the family helped in the struggle, and in time, their efforts paid off.
It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.
This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.
What does it mean to belong to a place, a country? In a south Tel Aviv elementary school, that question is addressed head-on by a fourth-grade class and their teacher. The children are asylum seekers whose families mostly do not have a legal status in Israel, yet learn, sing and play in Hebrew all the while examining their identity and sense of belonging.
For Ababacar and Mbaye - two Senegalese immigrants who met and established a great friendship in Buenos Aires - the challenge goes beyond adapting to the customs and living conditions in Argentina, or dealing with the indifference and racism they suffer on a daily basis: both came to an instance of their lives in which they must define a course, and in turn accept that their identities and needs have become more complex. The decision to leave their country was driven by the urgent objective of financially supporting their families, but the stay in Buenos Aires crossed them with new people, new ways of seeing things, and even an economic situation different from that which they found at home. Their different ways of seeing things allow them to see in each other a different version of themselves.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
The filmmaker travels to the mysterious land of the “poor souls.” He visits eyewitnesses in rural areas of Central Switzerland. They offer their account of mystifying experiences in connection with the afterlife, of evil deeds by people who passed away long ago in need of atonement. The film investigates the hidden signs of mountain magic and reminds us of our own myths, ghosts and primal images. It also looks for paths to self-awareness that could be revealed to us within and under layers of centuries-old Catholic cultural sediment.
A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
He climbed solo, without a rope, the north face of the Eigers in 2h47. Below him the rock wall steigen über 1000 Meter ab. Mehr Ueli Steck, the lone wolf, does not lose his temper. For a year, Steck has meticulously prepared this record of less than three hours. The portrait of an extraordinary man who takes us on a journey to the most beautiful and challenging peaks in the world.
Between 1931 to 2002, Switzerland issued some six million seasonal residence permits, known as "A" permits, to immigrant workers. This status carried drastic rules, such as a ban on family reunification and a stay in Switzerland limited to nine months a year. In open letters, former seasonal workers and their children recount the impact this system had on their lives.
