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Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
A contrast between two kinds of attitudes to gay liberation in Adelaide.
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.
Bas Jan Ader rides his bike into a canal in Amsterdam.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
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In 1978, a young unknown singer with a flute-like voice captivated the world with Wuthering Heights, a song inspired by Emily Brontë's novel of the same name. Discovered by David Gilmour, guitarist with Pink Floyd, Kate Bush, aged 19, succeeded in imposing her choices on her record company: for the first time, a song composed by a woman reached the top of the UK charts.
The Dolls of Lisbon is NYC's Antagonist Art Movement's latest exploit inspired by the Zapatista Dolls of Mexico, a souvenir that traveled the world symbolizing a rebellion against the legacy of Andy Warhol's commodification of art.
A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.
BERTHA LUTZ: WOMEN AND THE U.N. CHARTER reveals the important and unknown role of a Brazilian biologist and feminist in ensuring that gender issues were addressed at the basis of the United Nations.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
In 1978, Rodney Alcala won a date on the popular TV show, The Dating Game. What no one knew was that he was a prolific serial killer in the middle of a cross-country murder spree.
Tribal Strands is about two self-made Brooklyn hair artists, who create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.
A tribute to the late Pat Schulz, an influential Canadian feminist.
I Am Here You Are Not I Love You follows the writer Aidan Ryan as he attempts to make sense of the work and clues left behind by the late visual artists Andrew Topolski and Cindy Suffoletto, his aunt and uncle, who passed away when he was a teenager.
