We went to the fields to find out what they had to say.
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The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
Neurobiology has shown in the recent years that contrary to the traditional boundaries between animal and plants, plants can feel, move and even think. Over the recent years, a small but growing group of researchers from Austria, Germany, Italy, UK, Japan, South Africa and the USA, has developed a new scientific field of research: the neurobiology of plants. Their discoveries question the traditional boundaries set between the animal and the vegetable kingdom: plants are capable to develop the cognitive process claimed by humans and animals. If plants can move, and feel... Could they possibly think ? In a creative and captivating scientific investigation style, through spectacular specialist photography and CGI, and re-creating scientific experiments, this documentary is bound to change your own perception of plants.
"There are things in this world that are yet to be named" centers around Solanum plastisexum - an Australian tomato whose sexual expression is unpredictable and unstable, challenging even the fluid norms of the plant kingdom. Footage of the team of botanists who recently used their Solanum research to explode notions of sexual normativity in any plant or animal is combined with a voiceover of letters sent between science writer Rachel Carson and her lover Dorothy Freeman. "There are things in this world that are yet to be named" is a meditation on erasure, indefinability, and the intersection of queer and environmental histories.
Plant movements in historical films by Wilhelm Pfeffers: geotropic bending of a horizontal Impatiens glandulifera; germination of Vicia faba; development and flowering in tulip, leaf movement in Mimosa speggazzinii and Desmodium gyrans.
14-part special in which botanist Francis Hallé explains forest science and processes. Part of the "Once Upon a Forest" physical release.
The undertaking of an enthusiastic group of scientists to transform an indoor cycle racing-track built for the 1968 Montréal Olympics into an ecological park. The Biodôme of Montréal contains 4 ecosystems of the 3 Americas, from the Tropical Forrest to the Polar World, from the Laurentian Forrest to the St-Lawrence Marine Environment.
The secret world of plants gets us closer to these motionless and quiet creatures, so attractive and surprising as the rest of the living creatures. The documentary reveals the most unknown aspects of the vegetable kingdom. We learn about the secret of the eternal youth of a 3500 years old sequoia and be charmed by the 'rafflesia arnoldi' flowers, able to reach up to one meter of diameter.
Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.
How and why what we eat is the cause of the chronic diseases that are killing us, and changing what we eat can save our lives one bite at a time.
This experimental film follows the work of two scientists who test a new device that uses specialized circuitry to transfer data between computer networks and living plants. Neither science nor fiction, this documentary highlights the human labor of scientific procedures, attentive to the future they are producing – in which humans will disappear.
Kudzu, or Pueraria Thunbergiana, is a vine threatening to take over large portions of the Southern landscape. Imported from Japan by the Departement of Agriculture in the 30's for erosion control, its spreading growth has become a problem of menacing proportions. Kudzu is an off-beat, witty, informative documentary about the vine that is devouring the South. Featuring the Kudzu Queen, the Kudzu rock band, a cast of real-life characters and an appearance by former President Jimmy Carter, it illustrates how Southern cultural traditions have quickly grown up around a botanical pest. The eminent American poet and novelist James Dickey ("Deliverance"), recites three stanzas of his poem, "Kudzu."
Film follows Haide and Toomas, husband and wife in life and in art Piip and Tuut through the hard work of the creation of their new clown show in the Botanical Garden of Tallinn, showing the intensity and poetry behind their craft and focusing on their collaboration on stage and in life.
Short film showing plants and a scene with a lonely dog
Footage from the side of the road.
In addition to asexual reproduction, sexual reproduction based on seed development is common in the world of plants. The possibility of selectively crossing male and female plants to obtain seeds with desired characteristics is of great importance for the breeding of new plant varieties. The short film shows the dispersal of seeds - alone or together with fruits or fruit parts
When a drug to replicate plant cells creates a sentient form of flower, the planet is over taken by flora and humankind is depleted. A Chinese task force, a widowed father and his young daughter fight to survive in a mission to inject an antidote to the core of the plants to reverse their growth.
On a dystopian island, where the government has banned organic plant life, a man with an artificial flower shop grows real plants in secret, cultivating their surreal properties, trying to breathe some air into the smothering environment.
Vegetation thrives in painter Morikazu's garden, which is home to creatures that serve as models for his paintings, including numerous bugs and cats. A sweet and heartwarming day begins for Morikazu, who gazed at these garden creatures on a daily basis for over three decades, and those who love him.
Once, after being interrogated at the border, I saw a long fence through the car window. It was tinkling in the wind, overgrown with ruderal plants. That charged image was a manifestation not only of oppression but of resistance and desire. ||||||||/__ | is a lengthy passage that captures the liminal conditions of the exiled body. In emigration and exile, determination is juxtaposed with vulnerability: one must constantly break down barriers, including those of one's own body. The film employs various visual and sound techniques and performative gestures that sensitize surfaces, boundaries, media, and spaces.
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![[plant speech]](https://image.tmdb.org/t/p/w500/oXdX1r6KszhF1RzPs6VBQRyi0Q5.jpg)
