Adaptation of the famous Balzac novel
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Eugenia Grandet
Señor Grandet
Charles Grandet
During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Based on the real-life relationship between teammates Brian Piccolo and Gale Sayers and the bond established when Piccolo discovers that he is dying.
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Adaptation of the Balzac story as told by Rosalie, a young girl in love with the idea of her extraordinary neighbor, Albert Savarus, and the lengths she goes to ensure their marriage, even after she learns he is deeply in love with another woman.
Thought to be the first full-hour television adaptation of 'Alice's Adventures in Wonderland' and 'Through the Looking-Glass', broadcast on the CBS Ford Theatre.
How many working class Balmain boys grow up to be showgirls? Not just any showgirl but a household name, a legend of Kings Cross, a daytime TV star, and a symbol of generational change.
In 19th century Paris, Bette Fischer, a poor and homely spinster, forms an alliance with the seductive courtesan Valerie Marneffe to orchestrate revenge on her handsome and wealthy relatives.
The unhappy female editor of a fashion magazine is undergoing psychoanalysis.
A poor but ambitious young man arrives in Paris and settles down in the boarding house run by Madame Vauquer. He soon gets to know the guests: Victorine Taillefer, a young lady her rich father refuses to recognize; Horace Bianchon, a medical student; Monsieur Vautrin, a mysterious and disconcerting man; Goriot, a rich merchant who spent all his fortune for his daughters, Delphine and Anastasie, to make a rich marriage. Eugène becomes friends with Goriot but while the former, thanks to his cousin Madame de Beauséant, is introduced in high society, Goriot, both exploited and scoffed at by his daughters, continues his descent into hell.
Although Dave (LeVar Burton) and his family are poor sharecroppers in the Deep South in the 1930s, this 15-year-old's problem is shared by teenagers today: he stands with one foot in adulthood and the other in childhood. "Almos' A Man", yet still treated like a child, he struggles for an identity. There's one thing, one symbol of manhood, Dave thinks, that could guarantee him instant respect: a gun.
A young advertising executive, blinded in a gun accident, attempts to rebuild his life and career by living through a nightclub entertainer who befriends him.
Anders flees his drug debts to his former home village. Once there, he must come to terms with his past.
Charlie is white, middle class and a child sex offender. And though he's served his sentence, by his own admission, he continues to pose a significant danger to children. When the rehabilitation centre he has elected to attend is shut down, he is cast adrift in the local community, without guidance or psychological treatment, to struggle alone with his compulsion to re-offend.
Filmed in quasi-documentary fashion, the made-for-TV The Face of Rage is set in a rehabilitation facility. Here a group of rapists are required to confront their victims face-to-face. The film concentrates on the bitter verbal sparring session between assaulter Richard (Graham Bechel) and assaultee Rebecca (Dianne Weist). Director Donald Wrye co-wrote the screenplay for Face of Rage with Hal Sitowicz, drawing much of the dialogue from real-life transcripts. The film was first aired as an "ABC Theatre" presentation on March 20, 1983, preceded with an all too appropriate "parental guidance" proviso.
When her brother is murdered, a young reporter sets out to find his killer. She is comforted by his boss, a wealthy computer magnate, until her investigation slowly points to him.
Two sisters have their last conversation before one of them leaves the family home.
The story is about a lawyer who believes that capital punishment is terrible, and that imprisonment, if forever, remains a compassionate punishment, then he engages in a bet with a businessman, if he can stay in prison for fifteen years exchange for any wealth, and they hold a bet that if he holds, he will get two million rubles.
