Macario 'Mac' Gómez talks about his long career as a film poster designer.
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Self - Film Poster Designer
A cinephile collage, both historical and philosophical, of films on artificial intelligence, cyberspace and virtual reality, from 1981 to 2001: cinema as a way and an instrument to cope with humanity's euphoria, anxiety, fear and obsession with technology.
Jane Birkin has forged a unique bond with France and the French. Between the small Englishwoman, muse of Gainsbourg, then of Doillon or Chéreau, and her adopted country, love at first sight was immediate and lasted for more than fifty years. This documentary goes back, through the prism of this unique bond, to the life and career of a peculiar artist in the French musical and cinematographic landscape. The intimate portrait of a freedom-loving woman.
The making of the hoax film Miracles of Evolution.
Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.
Antonio is 92 years old and lives on his own in Penàguila, a small Spanish village in the Mediterranean mountains. In his old age, he spends his days enjoying the good weather on the patio, doing minimal tasks, and teaching things to younger generations. His old age sets the pace in a village where he has lived all his life and where his past is around him, like the family restaurant or the fields he used to harvest. The arrival of the cold winter will change it all.
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
The documentary delves into Éric Rohmer's distinctive filmmaking process, using film clips, rare interviews, and unreleased test footage.
In August 1936, the Olympic Games, orchestrated by Joseph Goebbels, the Third Reich's Minister of Propaganda, took place in Berlin. This was a vast charm offensive designed to present Germany as a nation that respected the Olympic principles of equality and fraternity. This documentary reveals the political strategies of the Third Reich, which benefited from the complicity of the International Olympic Committee in thwarting calls for a boycott by several countries. Once the games were over, Nazi policy intensified. How could the civilized world turn a blind eye to this "great illusion"? Gretel Bergmann, the German Jewish athlete at the center of a bargaining chip between the German authorities and the US government, and Noël Vandernotte, who won a bronze medal in rowing, share their stories.
A portrait of the Swedish director Roy Andersson, dealing with obsessions of the film maker considered as the origins of his last incredible project : Songs from the Second Floor. 20 years of reflection and creation, 4 years to shoot a masterpiece with a unique way of filming. A meeting with the Nordic Kubrick, rebel with a cause : responsibility and humanity.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
The horrors of war and the devastating effects of the atomic bomb.
The many lives of Henry Azadehdel, aka Armen Victorian, aka Henry X, as told by the peace activists, UFO researchers, botanists and everyday people who encountered him - whoever he was.
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30 years after Basic Instinct, Sharon Stone is still stigmatized for her role as a sexual psychopath. But the Oscar nominee has always fought against domination. She embodies the independent woman of the 21st century, who refuses to be invisibilized and a "passive" object, subjected only to the male gaze.
In nearly a century, Sabine Weiss (1924-2021) has left behind a monumental and eclectic work: thousands of faces, collections of the greatest fashion designers in prestigious magazines, a Parisian working-class now disappeared, photoreports around the world… By focusing on the margins of society, she was an exceptional witness of the 20th century. For the first time, a film draws the portrait of this hard-worker artist and captures the last words of the greatest female figure of the Humanist photography (Robert Doisneau, Henri Cartier-Bresson).
Nestled at the heart of Canada’s national capital, the Wabano Centre for Aboriginal Health has been a haven for generations of Indigenous people from many cultures since its founding in 1998. A place of togetherness, thecentre celebrated a large expansion in 2013 designed by renowned First Nations architect Douglas Cardinal, which greatly increased its ability to serve Ottawa’s Indigenous population in one of the city’s poorest neighbourhoods. Under the determined leadership of Allison Fisher, Wabano has become far more than a health centre; through its focus on Indigenous pillars of healing and good health, Wabano has become a home for many.
Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious
A portrait of the Spanish painter José Pérez Ocaña (1947-83), who used transvestism and performances as his calling card.
