The life of the last female singer of the golden age of tango, who died at 102 years of age. Nelly Omar stood out as one of the consecrated interpreters of tango and national folklore.
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A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
A singer is in love with a young woman who is being extorted by a rich rancher.
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.
A group of Carlos Gardel fans gathers every year at the Chacarita Cemetery to commemorate the anniversary of his death. Gardeliana portrays the ritual of a national hero, a day of saddened faces that coexist between the marvelous and the ghostly.
After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.
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Malena, a young photographer, finds a box of family memories while helping clean her parents' house. Among the objects, she discovers some old VHS tapes that belonged to her grandfather, whom she never met. Through these recordings, Malena delves into her grandfather's passions for tango, embarking on an intimate journey that also leads her to self-discovery.
Piazzolla and his Quintet perform with the Cologne Rundfunk Orchestra conducted by Pinches Steinberg in this film by Jose-Montes Baquer. Piazzolla is also featured in conversation.
A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made.
Remembering his old memories, he will leave a photograph in every place where he was happy.
A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.
A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.
Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.
A reporter and tango singer is sent to the war zone in 1916, where he loses his memory.
The life, work and tragic disappearance of Carlos Gardel, the Creole thrush.
Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.
Portrays the misunderstandings, losses and shipwrecks of the past of an unusual character who walks the streets of San Telmo forced to build a new identity.
Carlos Gardel and guitars performing "Añoranzas", vals written and composed by José María Aguilar.