Sunday afternoon. Images of last summer. A view of the sunset from a hill. Some flashes.
A journey through a composite galaxy of artificial light.
A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.
During an acid drought, a young woman finds a good deal on LSD. She shares with her friend Willow making Willow have a bad trip.
In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques
A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless
Renowned artist Krzysztof Wodiczko creates powerful responses to the inequities and horrors of war. This in-depth investigation into the artist focuses on the recurring themes of war, trauma, and displacement in his work. An instigator for social change, Wodiczko’s powerful art interventions disrupt the valorization of state-sanctioned aggression.
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.
With the help of more than 10,000 dedicated Zappa fans, this is the long-awaited definitive documentary project of Alex Winter documenting the life and career of enigmatic groundbreaking rock star Frank Zappa. Alex also utilizes in this picture thousands of hours of painstakingly digitized videos, photos, audio, writing, and everything in between from Zappa's private archives. These chronicles have never been brought to a public audience before, until now.
A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.
A tale of two brothers from babies to adulthood told without words. One brother is upstaged by the other from the crib onward. Eventually the tables are turned.
From Malkuth to Kether and back, the whole spin of the wheel. A retelling of a series of dreams and visions experienced by the director in her Great Quest.
Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.
Close-ups of two faces, shouting at each other.
Part of a trio of films that also includes ADAGIO and WINTER LIGHT, IN A SUMMER GARDEN "draws much of its power from the way it is constructed and the ways it deals with images... [T]he camera pans and pauses, almost passively looks at the fields of flowers, and then plunges through them, carrying us through space." - Robert Haller
TAPESTRY, part of Lawrence Jordan's "Odyssey" triptych and filmed much later in Jordan's life, is a charged record of his bachelor life after marriage and child-rearing.
A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
A forgotten faceless celebrity ascends into heaven along the path of self-discovery and through a land of faded memory.
An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
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