A story about unconventional love.
Love Boom Bap is a genre-defying short film. It features no dialogue and takes the audience on a journey of self-discovery through the music and poetry of Lenyx Rose & The Storytellers.
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A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.
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A choreography of Benvindo Fonseca to 19 songs performed live by the music group Madredeus and the dance group Madredeus of Contemporary Ballet of Lisbon. Filmed in Lisbon, at the 'Centro Cultural de Belém', in 29th of June 2006. Madredeus musical group is from Portugal but do not sing fado. His music combines influences of Fado and Portuguese folk music with classical music and popular contemporary music, especially Brazilian popular music (especially bossa nova). The founding members of the group were: Pedro Ayres Magalhães (guitar), Rodrigo Leão (keyboards), Francisco Ribeiro (cello), Gabriel Gomes (accordion) and Teresa Salgueiro (voice).
Although μ's, the defending champions of the school idol tournament, plans to dissolve their group after the graduation of their senior members, they receive news that leads them to holding a concert event! The 9 girls continue to learn and grow in this new and unfamiliar world. What is the last thing that these girls can do as school idols? With the clock ticking, what kind of meaning will the μ's members find in performing the most exciting live performance?
Become a ballerina! Prima Princessa brings you England's world famous Birmingham Royal Ballet performing excerpts from The Nutcracker that will inspire the ballerina in you! Come join in the holiday fun with Prima Princessa as she takes you to a magical show filled with snow fairies, toy soldiers, tutus, pirouettes and plies.(Amazon editorial)
If a drum beats, a Dancer must dance.
Based on the play A Midsummer Night's Dream by William Shakespeare, a choreographic film by Jean-Christophe Maillot. Gorgeous dancing – and wildly imaginative sets and costumes – bring to vivid life the ecstatic, elegant eroticism in Shakespeare‘s classic fantasy. Recorded at The Grimaldi Forum Monaco, 2009.
After the idol group Aqours has won the final Love Live! contest, its remaining members prepare to enroll at a new school only to run into some unexpected trouble while the former members go missing on the way to their graduation trip. Separated, the girls begin to realize the value of their friendships as they attempt to find a solution to their various crises.
The Patti Smith Group's Rockpalast performance in 1979 was a live concert broadcast as part of the German Rockpalast series. The band at that time included Patti Smith, Lenny Kaye, Ivan Kral, Jay Dee Daugherty, and Richard Sohl. This performance is notable as it captured the band during a period of their career following the release of their album "Easter" in 1978.
Original film material from the Bauhaus dances of Oskar Schlemmer.
The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.
Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.
Join Charli D’Amelio & friends on a livestream as they take class at Break The Floor Studios! Dance along with Charli or just watch the fun as she and her friends learn from three of LA’s hottest choreographers!
Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique visual experience featuring ingenious and playful imagery of dancers in their different spaces.
How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
Amalie is the girl who has everything, good looks, money, a boyfriend and a big talent of dancing. One day, her world falls apart and she moves from everything she knows. Then enter Mikael. He is dancing in the streets and Amalie joins him in dancing on the streets, dancing Battles.
In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.
Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.
The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.
