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TV-documentary about the German painter Carl Spitzweg
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
A Renaissance masterpiece painted by Hans Holbein the Younger, “The Ambassadors” is teeming with details and hidden messages. By deciphering the enigmas of the canvas, this documentary recounts a troubled era in which advances in knowledge were intertwined with brutal political and religious upheavals.
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.
Admirers of Lawren Harris, founding member of the iconic Group of Seven, discuss his paintings and his place in the pantheon of Canadian artists.
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.
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We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.
The Kiss by Gustav Klimt is one of the most recognised and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston. Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist that created it? Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old.
Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.
This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.
London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.
A young working class Baltimore man spends 10 years on a single portrait, believing it is his means to fame and fortune. But he also believes that only one man can lead him there---the famous artist David Hockney. What happens when you finally meet the god of your own making?
